Friday, October 30, 2026

Sholay: The Final Cut’ GRAND live concert screening planned in Mumbai after SOLD-OUT London premiere; OTT release pushed to October 2028

 Sholay (1975), one of the most famous Indian films, was shown again in cinemas on December 12, 2025.It was called 'Sholay: The Final Cut'.This version showed the original ending for the first time on the big screen.It also included two extra scenes that were part of the original version.The film was restored in 4K and Dolby 5.1, keeping its original 70mm screen size of 2.2:1 and R D Burman's original music.The journey of Sholay: The Final Cut continues after its first showing.


Shehzad Sippy, the head of Sippy Films, worked with a UK company called ESK to host a special 'Films in Concert' event at London's Royal Albert Hall on October 10, 2026.

The event featured Melvin Tay conducting the Royal Philharmonic Concert Orchestra, who played R D Burman's famous music live as the film played on the big screen.


A source told Bollywood Hungama, "The event was fully booked with 5,200 people attending.

The audience was very impressed by seeing the restored version of the classic film on the big screen, along with a live orchestra playing its legendary music.It was the first Hindi film to be shown in this format at the Royal Albert Hall.The great response has encouraged Shehzad and his team to organize more such events.The next one is scheduled for November 1, 2026, at Birmingham Hippodrome, which can hold 1,850 people."


People who want to watch Sholay: The Final Cut in this special live style in India have something to look forward to.

The source added, "The makers are already planning a big show in Mumbai.Once the venue and date are decided, there will be an official announcement."


Meanwhile, Bollywood Hungama learned that Sippy Films is not rushing to put Sholay: The Final Cut on OTT.

The source said, "Sholay: The Final Cut has been carefully restored for the big screen.Therefore, the makers want people to see this iconic film in movie theaters or in this special live concert format, as seen at the Royal Albert Hall.Because of this, they have decided to delay the streaming release until October 2028."

Kirti Kulhari talks about Kinaare’s premiere at Dharamshala International Film Festival; reveals her debut production was shot in JUST 18 days with a single camera: “We had to be EXTREMELY well-prepared”

 Kirti Kulhari is starting a new part of her career.She has become a producer with her first movie, Kinaare, which will be shown at the Dharamshala International Film Festival (DIFF) on Friday, October 30.The movie is written and directed by brothers Akbar and Azam Qadri.Kirti produced it through her company, Kintsukuroi Films, along with Abhishek Koka and Maansi Guptey.She also stars in the movie with Rajeev Siddhartha, Alka Amin, and Ravi Taneja.


Kinaare is about Amina, a single woman who takes care of her old parents and their home.

Her life seems normal until her cousin brother, who hasn't been around for 15 years, comes back.In an interview with Bollywood Hungama, Kirti talked about the film’s premiere, her decision to become a producer, and other things.


What are your first thoughts about Kinaare premiering at DIFF?


We finished shooting the film in January.

As a producer, I feel very happy and proud about how quickly we did it, from starting to finishing and now showing it at DIFF.I know that sometimes it takes a long time for a film to be ready.


I was at DIFF last year with Full Plate.

That was my first time there, even though I had heard a lot about it.I think it's better to go to a film festival with a film.That's what I did with Full Plate and now Kinaare.To return to DIFF the next year with my own film, both as an actor and a producer, makes me very happy.


Tell us about the unique name of your production house.


It's called Kintsukuroi.

It's a Japanese word meaning mending broken pottery with gold.I believe cinema is that gold that can heal broken hearts and minds.That's why I chose this name.Cinema and art have the power to heal, make us think, and encourage us to look within.


Usually, when actors become producers, they focus on being behind the camera.

But you are doing both in your first project.How was that experience?


I would have liked to just produce.

But the script and the chance to play this character as well as producing came together in a way I couldn't choose one over the other.I really enjoyed doing both.


What helped was that I'm comfortable with acting now.

It comes naturally to me.Over the years working with scripts as an actor, I was already used to that process.As a producer, I spent even more time with the script since I was involved in almost everything creatively.


The first few days are important for a new character to form.

Once I was into the character, I didn’t think about my acting anymore.I was more focused on others' performances.That was exciting because as an actor, I usually don’t watch myself on the monitor.Here, I was watching other actors and their performances.It was a lot of learning because I wasn't just looking at myself.I was looking at the scenes with more objectivity.


The directors helped guide my performance.

In the future, I will wear both hats again.There might also be projects where I will just produce, and that's something I find just as exciting.


How many days did it take to shoot Kinaare?


We shot it in just 18 days!

We only had one camera, so we had to be very well-prepared in advance, more than on a film with a bigger budget.When you have more money, you can afford to take some risks.


She shared that her debut production was filmed in just 18 days using a single camera."We had to be extremely well-prepared," she said.


She added that filmmaking always involves taking risks, even with careful planning, because things can still go wrong.

However, because we had limited resources and were aware of our limitations, we prepared much more thoroughly than most people would.She believes that even with bigger budgets in the future, she will continue to focus heavily on preparation.


She also mentioned that while costume, hair, makeup, and other departments are important, having a well-aligned camera and direction team makes a big difference.

Knowing exactly what and how you want to shoot saves a lot of time and money.


When asked what happens after the film festival, she said she doesn't know yet.

This is her first time going through the whole process.They are currently trying to sell the film.She wishes the industry had more clarity in such situations, as it would make things easier.In the end, she said that no one really knows what the journey of a film will be, so she is taking it one day at a time.

Going independent has two sides.On one hand, you get to do things your own way.There are no strict deadlines or fixed rules.I like working that way.On the other hand, there's more uncertainty.You have to deal with that.I made a conscious choice to make this film on my own, and I'll work things out as we go.


Right now, we're just happy to be at DIFF and show our film to people who really love cinema.

There's no business part to it right now.We're just enjoying the reason we made the film.


I haven't thought much about a theatrical release yet.

Ideally, I'd like Kinaare to be on a digital platform so it can reach its own audience.But who knows what's meant to be!


Last year, I was in Badass Ravi Kumar (2025), which was well received by audiences.

The song "Dil Ke Taj Mahal Meinn" is still popular.In a time when sequels are common, can we expect a Badass Ravi Kumar 2?(Smiles) I haven't heard anything yet!I've done a few films like Khichdi and Badass Ravi Kumar in my career, which are actually unusual when you look at my overall career.


Still, there's some exciting stuff coming up in the next three to four months.

These projects are interesting and different from each other.I'm really looking forward to them.

Abundantia Entertainment, invideo begin production on AI-assisted film Beta Builder, starring Mayur More and Ashlesha Thakur

Abundantia Entertainment and the video creation platform invideo have started making Beta Builder, the first movie under their teamwork to make AI-powered feature films.Directed by Hridaye A Nagpal, the movie began filming in Mumbai on October 29, 2026.It will use real actors and AI-generated technology together.

This project is part of a deal announced in February 2026.
Under this deal, invideo promised to give Rs 100 crore over three years to make five AI-driven movies.The partnership brings together Abundantia Entertainment's experience in making films and invideo's AI technology.

Mayur More and Ashlesha Thakur lead Beta Builder

Beta Builder is about Jai, a self-taught architect from Dharavi who gets a chance to follow his dreams in the world of virtual reality.
As he tries to make his mark, he also has to fight against the system that is stopping him, stand up for the person he loves, and make sure his community gets a voice in shaping its future.

The film looks at themes of ambition, belonging, and community, mixing the real life of Dharavi with the possibilities of a virtual world.

The main actors are Mayur More, who has acted in Kota Factory and Black, White & Gray: Love Kills, and Ashlesha Thakur, who appeared in The Family Man.

Vikram Malhotra, Founder and CEO of Abundantia Entertainment, said: "Our partnership with invideo and Sanket focuses on using AI to tell stories that are unique, impactful, and entertaining.
I'm happy that the first film in our plan is about a relatable, young world and shows what's possible beyond.And with Hridaye, we have a filmmaker who has strong creative ideas and deep knowledge of technology, making him the perfect person to lead and bring Beta Builder to life.I'm excited about how aiON is helping new stories and storytellers come forward and share their best work with fans around the world."

Sanket Shah, CEO of invideo, said: "At InVideo, our goal has always been to give storytellers powerful tools.
Beta Builder is where that mission becomes a full-length film, made with a partner of Abundantia's quality.It's a story about building something that lasts, which makes it the right film to start this plan with."

Hridaye A Nagpal, Global Creative Lead at invideo and director of Beta Builder, said: "We are about to see a wave of exciting films.
With AI-assisted filmmaking, storytellers can dream much bigger, and having the support to back a bold idea finally feels possible.The partnership between Abundantia and invideo gives filmmakers the scale and creative support to take on big ideas like this.Beta Builder is our bet on that future, with a live-action shoot and AI working side by side."

Ram Gopal Varma in LEGAL TROUBLE over Rs. 29.67 crores! Production house warns filmmakers, OTT platforms against dealing with RGV without NOC

Filmmaker Ram Gopal Varma is now involved in a big money problem after Eclatant Films Private Limited sent out a public message asking for Rs.29.67 crores.The company has also told producers, distributors, broadcasters, and streaming platforms not to do any deals with Ram Gopal Varma without getting their written permission first, as needed by their agreements.

In the public message, which was published in the 24th and 31st of October 2026, in Atul Mohan's Complete Cinema magazine, it says that Eclatant Films sent a legal notice to Ram Gopal Varma on October 15.
This notice asked him to pay back the unpaid money, which is Rs.29,67,64,000.It's interesting to note that this amount includes interest of Rs.11,38,92,000.

The notice explains that this issue comes from an agreement signed on April 10, 2010.
Eclatant Films also mentioned an order from the Bombay High Court on April 17, 2013, related to this agreement.The company is asking Ram Gopal Varma to pay back the money by October 30, 2026.If he doesn't, they have said they will take control of his share, rights, interests, revenues, and exploitation rights in the films and projects covered by the agreement.

Eclatant Films says that according to the agreement, Ram Gopal Varma must get a written No-Objection Certificate (NOC) from them before working with any other party or doing any activities related to film production, co-production, direction, or writing, until the unpaid money is cleared.

They have warned people and companies that want to buy, license, distribute, broadcast, stream, or use any rights connected to projects covered by this agreement.
The notice also says that anyone moving forward without the required NOC will do so at their own risk.It also mentions that legal actions like injunctions, recovery processes, and enforcing security rights from the contract may be taken.

Is Ranbir Kapoor about to achieve what even Shah Rukh Khan, Salman Khan and Aamir Khan couldn’t? How Ramayana could rewrite Bollywood’s superstar hierarchy

For more than three decades, the top tier of Bollywood's superstar lineup has been led by three iconic names: Shah Rukh Khan, Salman Khan, and Aamir Khan.These three have remained at the forefront of the industry through multiple changes, including shifting audience preferences, the rise of multiplex theaters, the emergence of online streaming platforms, and the arrival of a new wave of actors.While many actors have attempted to challenge their dominance, very few have managed to create the same level of frenzy and popularity that these three have consistently enjoyed.

Now, as Ranbir Kapoor gears up for the release of *Ramayana: Part One* on November 5, a compelling question emerges.
Is he on the verge of achieving something that even these three legendary actors, despite their long and successful careers, have not yet been able to do?

The answer doesn't just lie in the opening weekend numbers or the overall box-office collections of *Ramayana*.
Instead, it lies in the potential to create a comprehensive Indian film franchise that not only resonates culturally but also has the global reach to compete with some of the most iconic and globally successful cinematic brands in the world.

Ranbir Kapoor's journey from a promising actor to a genuine superstar has been unique.
Unlike Salman Khan, who built a massive following through high-energy, large-scale entertainment, or Shah Rukh Khan, whose romantic image became a global phenomenon, Ranbir has consistently explored diverse genres, often moving between different types of roles.He portrayed a troubled musician in *Rockstar*, a carefree young man in *Yeh Jawaani Hai Deewani*, a conflicted son in *Animal*, and even a film star in *Sanju*.These roles demonstrated his versatility but also highlighted an intriguing aspect of his career.His greatest successes have typically come when his acting ability was combined with a strong emotional storyline and a compelling cinematic vision.

*Animal* marked a turning point in Ranbir's stardom.
It showed that he could deliver a massive opening and attract audiences outside the typical urban multiplex crowds.More importantly, it established him as a star who could generate immense anticipation before a film's release.However, with *Ramayana*, the stakes are significantly higher.

There is one particular area where the three Khans have never fully established a presence.
While Shah Rukh Khan has enjoyed remarkable international popularity, Aamir Khan has demonstrated the overseas potential of Indian cinema with *Dangal*, especially in markets like China, and Salman Khan has delivered some of the most successful mass entertainers in Hindi cinema.Yet, none of them has built a globally recognized, multi-film mythological franchise of the scale that *Ramayana* is attempting.

This distinction is significant.
It does not mean that Ranbir has already surpassed the achievements of the three Khans.They have delivered decades of box-office success, cultural influence, and unwavering audience loyalty.A single franchise cannot erase that legacy.However, *Ramayana* presents Ranbir with an opportunity that is different from the traditional path of a superstar.

If the makers of *Ramayana* can effectively translate the cultural familiarity of the story into an exciting theatrical experience, the film could reach beyond the usual audience for a Hindi film.
This could open up a new dimension to Ranbir's stardom.

Can Ranbir become India's first truly global franchise superstar?

Hollywood's biggest stars have increasingly benefited from association with globally recognized franchises.
The success of such films isn't always dependent on the individual star power.Audiences are drawn to the characters, the cinematic universe, and the promise of an unforgettable theatrical experience.This is where *Ramayana* becomes particularly interesting.

Ranbir isn't just playing a commercial hero; he is portraying Lord Rama, one of the most revered figures in Indian mythology.
The character carries significant emotional and cultural weight, and the film's grand scale could introduce the story to international audiences who may not be familiar with Indian cinema.If *Ramayana* succeeds globally, Ranbir could become the face of a franchise that is widely recognized beyond his existing fan base.

However, there is a challenge.
The character of Rama is larger than the actor who portrays him.Audiences may come to the film due to their fondness for the epic, not necessarily because of Ranbir Kapoor.As a result, even if the film achieves extraordinary box-office numbers, it may not automatically prove that Ranbir has a greater individual appeal than Shah Rukh, Salman, or Aamir.The real test will come when he returns with a film that doesn't benefit from the strong foundation of such a powerful pre-existing property.

The numbers will tell only half the story.

There is a lot of excitement about the commercial potential of *Ramayana*.
The film's scale, its use of premium formats, its multiple language versions, and its ambitious international positioning all create the possibility of exceptional box-office figures.

However, the film's eventual success should be looked at through several important factors.


A huge opening weekend would show how much people were eager to see the movie before it even hit the screens.
Strong numbers on weekdays would suggest that the audience was really enjoying it and coming back to watch it again.Consistent performance in different parts of the world would mean that the movie is appealing to a wide range of people, not just those from a particular region.Collecting good numbers outside of the Indian community would be especially meaningful, as it would show that the film is truly resonating with a global audience.

Considering the massive amount of money that was invested in making the film, making a profit is just as important as making big numbers at the box office.
It's possible for a movie to break records without actually being profitable.Sometimes, the big numbers might not translate into real financial success due to high production costs or other factors.

The biggest opportunity and the biggest risk

For Ranbir Kapoor, *Ramayana* represents an amazing chance, but it also comes with a huge amount of responsibility.


The expectations related to this film are much higher than those for an average commercial entertainer.
The audience is not just looking for good acting, good direction, and impressive visual effects.They are also looking for a sincere and emotionally engaging adaptation of such a monumental story.

Even if the film is a commercial success, it could still face strong criticism if people feel that the story isn't respectful or true to the original mythological tale.
The storytelling has to be impactful and meaningful for the audience to connect with it on a deep level.

On the flip side, if *Ramayana* lives up to all the expectations, Ranbir could become a central figure in a franchise that dominates the film scene for years.
That would be a major achievement and could redefine his place in the industry.

The final verdict

It's too early to say that Ranbir Kapoor is Bollywood's biggest superstar.
Shah Rukh Khan, Salman Khan, and Aamir Khan have built careers and legacies that can't be judged based on a single film's success.

But maybe *Ramayana* isn't about trying to replace the Khans.
Maybe it's about redefining what it means to be a superstar in Bollywood.

For many years, the biggest Bollywood films were all built around superstar actors.
With *Ramayana*, there's a chance for a superstar to become the face of something far greater than themselves.If that happens, Ranbir Kapoor may not just rise up in the rankings — he could help shape a completely new structure for superstardom in Bollywood.

Love Story Abhimanyu Ki Movie

Love Story Abhimanyu Ki Cast & Crew

Love Story Abhimanyu Ki Movie poster

Language

Hindi

Release Date

30 October 2026

Genre

Romance

Drama

Director

Ankit Bhadana

Producer

Sandeep Tomar

Star Cast

Pragati Tiwari ...

Vishal Mohan ...

Ankit Bhadana ...

Suwinder Vicky ...

Mansi Rawat ...

Deepak Kapoor ...

Writer

Ayaskaant Tomar

Background Music

Vishnu Narayan

Choreographers

Prashant Jadhav

Music Director

Vishnu Narayan

Lyricist

Rohit Sardhana

Manish Bedi

Ashish Sharma

Editor

Kiran Rajendra Madre

Praveen Bishnoi

Cinematographer

Shekhar Shinde

Publicity Design

Arif Ahmed

Shooting Location(City & Country)

India

Sound

Krishna Vishwakarma

Music Company

Pragati Music

Production Designer

Pawan Kumar Tomar

Rahul Vijay Pehalwan

Executive Producer

Rajat Tanwar

Playback Singers

Pragati Tiwari

Rishita Malkania

Vikas Bedi

Vishnu Narayan

Tarun Bhutani


Censor Details:

Censor Dates

2026/09/18

Censor Certificate No

DIL/3/7/2026/-DEL

Runtime

2h 2min

Certification

A

Nakhrewaalii Movie

Nakhrewaalii Cast & Crew

Nakhrewaalii Movie poster

Banner

Colour Yellow Production

Jio Studios

Language

Hindi

Release Date

30 October 2026

Genre

Romance

Drama

Director

Rahul Shanklya

Producer

Aanand. L. Rai

Himanshu Sharma

Jyoti Deshpande

Star Cast

Ansh Duggal ...

Pragati Srivastava ...

Gopal Dutt ...

Akash Makhija ...

Kumud Mishra ...

Writer

Divynidhi Sharma

Background Music

Aman Panth

Choreographers

Vijay Ganguly

Costume Designer

Ankita Jha

Co-Producer

Sandeep Nair

Music Director

Vayu

Tanishk Bagchi

Gaurav Chatterji

Vaibhav Pani

Sharan Rawat

Lyricist

Vayu

Ginny Diwan

Meggha Bali

Editor

Abhishek Anand

Cinematographer

Chirantan Das

Publicity Design

House Of Awe

Visual Effects

Vibrant Hues

Shooting Location(City & Country)

India

Streaming Partners

Netflix

Sound

Arun Nambiar

Music Company

T-Series

Production Designer

Nikhil S Kovale

Apurva Bhagat

Casting Director

Mukesh Chhabra

Action Director

Sunil Rodrigues

Executive Producer

Shashikant Sinha