Saturday, November 14, 2026

Moushumi Chatterjee’s husband Jayanta Mukherjee passes away

Jayanta Mukherjee, a distinguished veteran film producer, passed away in Mumbai on November 12 at the age of late 70s; a son of the legendary singer-composer Hemant Kumar and husband to acclaimed actress Moushumi Chatterjee, he had reportedly been in declining health for some period prior to his death.The news of his demise was officially confirmed by BN Tiwari, who serves as the President of the Federation of Western India Cine Employees (FWICE).


The passing of Jayanta Mukherjee, the spouse of Moushumi Chatterjee, has been reported.
In an interview with PTI, Tiwari stated that he passed away last evening due to age-related issues at his residence in Khar.

Reports indicate that Jayanta passed away at his residence following a decline in his health, which had been compromised by pre-existing age-related conditions.
To date, his family has not issued a comprehensive public statement concerning his death.

Jayanta Mukherjee's association with films and television
Operating discreetly within the entertainment sector as a film producer, Jayanta Mukherjee established a production portfolio that encompassed notable titles such as *Biwi Aur Makan* (1966), *Mazaaq* (1975), and *Do Ladke Dono Kadke* (1979).
The latter two productions, alongside *Mazaaq*, prominently featured Moushumi Chatterjee in significant roles.Beyond his cinematic endeavors, Mukherjee was also linked to the television series *Talaash*, which broadcast in 1992.

Born into a distinguished lineage of musicians, Jayanta was the son of Hemant Kumar, a towering figure in Indian cinema celebrated for his exceptional contributions as both a singer and music composer.
Furthermore, he maintained a professional affiliation with the music department of Biwi Aur Makan.

Jayanta Mukherjee and Moushumi Chatterjee's family
Jayanta and Moushumi Chatterjee wed in 1972, embarking on a union that endured for over five decades.
The couple was the parent of two daughters, Payal and Megha.Their eldest child, Payal Mukherjee, succumbed to health complications in December 2019 at the age of 45.

Jayanta leaves behind his wife, Moushumi, and his younger daughter, Megha.

Will Ashneer Grover join Karan Johar and Malaika Arora on Pitch To Get Rich Season 2? Here’s what we know!

Rumors suggest that Ashneer Grover, the former co-founder and managing director of BharatPe, may soon rejoin the pitch table as a judge on Season 2 of Pitch To Get Rich.Should this appointment be confirmed, his presence alongside Karan Johar and Malaika Arora would significantly amplify the caliber of the panel, infusing the series with greater business acumen.Consequently, this expanded lineup would subject fashion founders' expansion strategies and valuations to a more rigorous examination.

Grover emerged as one of the most prominent figures in Season 1 of Shark Tank India, renowned for his incisive one-liners and forthright critiques, which frequently sparked viral reactions; while some audience members valued his unvarnished honesty, others perceived his approach as excessively severe toward the founders.

Following this appearance, he ventured back into the realm of reality television through the series Rise and Fall.Subsequently, his participation in Pitch To Get Rich returned him to a format specifically designed for entrepreneurs to present their cases for investment.

Season 1 of *Pitch to Get Rich* assembled fourteen visionary founders within the fashion and lifestyle sectors to contend with tangible business hurdles and secure investment through strategic pitches.
Renowned figures in fashion, commerce, and entertainment joined Karan Johar and Malaika Arora on stage, providing a platform where these entrepreneurs rigorously defended their strategic frameworks, negotiated valuation terms, and articulated compelling cases for institutional support of their respective brands.

Season 2 is widely speculated to include high-profile guests from the realms of Bollywood, commerce, and the creative industry, with notable names such as Malaika Arora, Karan Johar, Akshay Kumar, and Sanjay Nigam already associated with the upcoming cast.
Notably, Grover was recently pictured alongside Arora and Johar during footage from the season's wrap party; however, his official capacity on the program remains unconfirmed at this time.

Parivarik ManuRanjan Movie Review: PARIVARIK MANURANJAN is a sweet, heartwarming entertainer


Parivarik ManuRanjan Review {3.0/5} & Review Rating
Star Cast: Pankaj Tripathi, Aditi Rao Hydari

Movie Review: PARIVARIK MANURANJAN is a sweet entertainer that stands out in todayĆ¢€™s times 

Director: Varun V Sharma

Parivarik ManuRanjan Movie Review Synopsis:
PARIVARIK MANURANJAN chronicles the profound bond that evolves between a man and his housekeeper.
Ranjan Dubey, portrayed by Pankaj Tripathi, is a forty-year-old, unmarried civil servant employed by the electricity department, who resides in splendid isolation within the palatial Dubey Niwas.Eager to alleviate the burden of solitary domestic labor, his neighbor, colleague, and closest confidant, Rajaram (Brijendra Kala), persuades him to engage a maid.To locate a suitable candidate, Rajaram broadcasts a recruitment video on Facebook, inviting individuals interested in 24-hour housekeeping services to apply, while explicitly offering complimentary lodging and board.The following day, Helen (Aditi Rao Hydari) arrives at the Dubey Niwas to submit her application for the position.Upon realizing the absence of any female staff, she initially hesitates; however, Ranjan's benevolent demeanor ultimately persuades her to accept the position.Consequently, Ranjan's domestic existence improves markedly, now supplemented by freshly ironed garments and exquisite home-cooked meals, while simultaneously awakening an attraction toward Helen.Unbeknownst to him, Helen conceals a profound secret: her true identity is not Helen, but Manu Joshi.The subsequent narrative developments constitute the remainder of the film.

Parivarik ManuRanjan Movie Story Review:
Amidst an era dominated by hyper-macho cinema, the narrative crafted by Brijendra Kala, Ali Abbas Zafar, and Varun V Sharma emerges as both poignant and urgently required.
Their screenplay is notably breezy and heartwarming, yet it is not without its shortcomings, as the writing falters in certain instances.Brijendra Kala's dialogue contributes significantly to the film's levity, while the climactic monologue stands out as a dramatically potent and masterfully articulated set piece.

Varun V Sharma's directorial vision is notably straightforward, evoking the timeless sensibilities found in the cinematic oeuvres of Hrishikesh Mukherjee and Basu Chatterjee.
A further parallel may be drawn with the recently released Malayalam feature *Bethlehem Kudumba Unit* (2026), for both narratives explore the dynamic of an older man drawn to a younger woman.Yet, this resemblance dissolves thereafter, as the milieu, setting, and characterizations diverge entirely.The affectionate bond forged between Ranjan and Manu is profoundly heartwarming; indeed, the film maintains a consistent levity, eliciting smiles from beginning to end.As is frequently observed in small-town contexts, the presence of a young, beautiful woman residing within the home of a single man inevitably provokes scrutiny, a social nuance that the film renders with considerable finesse.An unforeseen pivot at the narrative's midpoint heightens the intrigue, while the conclusion delivers a climactic resolution that is both compelling and entirely warranted.

Conversely, it is perplexing that Ranjan fails to demand identity verification when a mysterious woman presents herself for employment, despite this being a fundamental safeguard in contemporary society.
Although Manu's family is referenced repeatedly throughout the narrative, they remain conspicuously absent from the screen; an exploration of her kin would have added significant depth to the story.Certain plot developments prove baffling, particularly the coercion exerted by Ranjan's sisters to force Manu into labor during the mundan ceremony.Furthermore, the circumstances precipitating Ranjan's decision to hire a full-time maid appear abrupt and lack credibility.Finally, the specific manner in which Mukesh Tiwari's character is duped is difficult to reconcile with logical expectation.

Parivarik ManuRanjan Movie Review Performances:
Pankaj Tripathi is ideally suited for the role of Ranjan Dubey, a character defined by a gentle and unthreatening demeanor.
Tripathi's distinctive persona and comportment render Helen's decision to remain in Ranjan's isolated residence entirely convincing.Furthermore, the actor infuses the film with humor through his unique idiosyncrasies and delivers a compelling performance during the film's confrontation sequences.

Aditi Rao Hydari commands the screen with a captivating presence, fully inhabiting her character's essence.
Her arresting aura and inherently pleasing demeanor significantly elevate what is already a nuanced performance.The on-screen chemistry between her and her co-star is nothing short of exceptional.Brijendra Kala and Sunita Rajwar, portraying Tamanna, remain as reliable and compelling as ever.Mukesh Tiwari, in the role of Bhoop Singh, commands attention through his authoritative screen presence.Vijayant Kohli, as Harishankar, and Neelu Dogra, embodying Babita, provide robust and credible support.Kumar Saurabh, cast as Chaurasiya, a panwallah, consistently elicits laughter with his comic timing.Further strengthening the ensemble are Ghanshyam Garg, who plays Ghanshyam, an office colleague; Jyoti Pandey, portraying Jyoti Kumari, a police officer; Sunil Kumar Verma, as Sunil Gupta, the boss; and Niharika Porwal, depicting Swati, another office colleague, all of whom deliver commendable performances.

Parivarik ManuRanjan movie music and other technical aspects:
While the film's musical suite is generally competent, "Jingle Bell" and "Sir Sir Sir" distinguish themselves as exceptional highlights.
"Chaaap Tilak" proves equally effective, deriving its impact primarily from its visual execution.Furthermore, Joel Crasto's background score seamlessly aligns with the cinematic atmosphere.

Anup Singh's cinematography meets the requisite standards of competence, while Vikram Singh and Ravin Karde deliver an authentically grounded production design.
Vineet Chauhan's costuming for Pankaj Tripathi achieves a remarkable degree of realism, whereas Chandrakant Sonawane's attire for Aditi Rao Hydari masterfully balances quotidian authenticity with a subtle, calculated glamour; the remaining characters' ensembles, crafted by Malvika Bajaj, are satisfactory.Complementing these visual elements, Steven Bernard's editing possesses a breezy, effortless rhythm.

Parivarik ManuRanjan Movie Review Conclusion:
Overall, PARIVARIK MANURANJAN distinguishes itself as a delightful and heartwarming cinematic experience amidst a contemporary landscape dominated by extravagantly scaled, action-centric productions.
This film succeeds through its uncomplicated narrative arc, its capacity to evoke genuine sentimentality, and the magnetic, affable rapport shared between Pankaj Tripathi and Aditi Rao Hydari.

Friday, November 13, 2026

Amitabh Bachchan’s Jalsa at centre of family DISPUTE; sister-in-law Ramola challenges gift deed transferring iconic bungalow to Jaya Bachchan

Amitabh Bachchan's famous Jalsa bungalow in Mumbai is in the center of a property dispute. Ramola Bachchan, the superstar's sister-in-law, has reportedly contested a 1993 gift deed that gave Jaya Bachchan ownership of the house, according to a report in the Mumbai Mirror.

Startling: A family dispute centers on Amitabh Bachchan's Jalsa; sister-in-law Ramola contests the gift document that transfers the famous bungalow to Jaya Bachchan

Startling: Amitabh Bachchan's Jalsa is at the center of a family dispute; sister-in-law Ramola contests the gift deed that gives Jaya Bachchan the famous home.
Alia Bhatt, Ananya Panday, Anushka Sharma, Hrithik Roshan, Kiara Advani, Tara Sutaria, Shanaya Kapoor, and Priyanka Chopra Jonas
Next, throughout the course of the last seven months, Ramola, the spouse of Amitabh's brother Ajitabh Bachchan, is said to have lodged many complaints with registration officials. She says she did not know about the transaction and did not give her consent. The authorities are presently investigating the matter.

Jalsa was first registered in Ramola's name before being moved to Jaya's, according to Mumbai Mirror. After reported attempts to change Ramola's name with Jaya's on the government's Property Card, the conflict reappeared. Interestingly, the Property Card still has Ramola's name on it even though Kapol Housing Society records purport to identify Jaya as the owner.

The report also notes that concerns have been expressed over the execution of the 1993 donation deed. The charges state that the document was created on plain paper without stamp duty being paid at the time and purportedly lacked

Ramayana Day 8 Evening Box Office update: Ranbir Kapoor-Yash starrer collects Rs. 30.25 cr. by 5 PM; film crosses Rs. 520 cr.

On Thursday, November 12, Ramayana: Part I, which stars Yash and Ranbir Kapoor, will begin its eighth day in theaters. As of 5 PM, the mythical epic directed by Nitesh Tiwari had earned Rs. 30.25 crores nett in all languages, with 16,392 shows. Compared to its remarkable post-Diwali success earlier in the week, the movie is having a very muted Thursday, though occupancy levels have increased as the day has gone on.

Ananya Panday and Alia BhattShanaya Kapoor, Priyanka Chopra Jonas, Anushka Sharma, Hrithik Roshan, Kiara Advani, and Tara Sutaria
Ramayana had already earned Rs. 14.35 crores nett from 10,778 shows by 12 noon. According to the most recent update, collections have climbed by Rs. 15.90 crores since noon, and the reporting data also reveals an extra 5,614 shows.

An intriguing pattern may be seen in the occupancy statistics. Ramayana got off to a somewhat modest start on Thursday, with morning occupancy of 17.7%. On the other hand, occupancy in the afternoon increased to 32.5%, almost twice as high as in the morning. According to reports, nighttime occupancy is 29.1%, while evening occupancy is 31.1%. In comparison to the morning performances, the improvement in the afternoon and evening concerts suggests that audience turnout has increased. Nonetheless, the numbers are still far more muted than those from the post-Diwali climax of the movie. It is important to note that the nite occupancy estimate is tentative because a number of tests have not yet been completed.

The film's running domestic total is currently Rs. 520.45 crores nett, with Thursday's collections reaching Rs. 30.25 crores by 5 PM. In just eight days since its debut, Ramayana has easily surpassed the Rs. 500 crore milestone in India.



Parivarik ManuRanjan Movie

Parivarik ManuRanjan Cast & Crew

Parivarik ManuRanjan Movie Poster

Banner

AAZ Films

Bhanushali Studios Limited

Language

Hindi

Release Date

13 November 2026

Genre

Family

Comedy

Director

Varun V. Sharma

Producer

Vinod Bhanushali

Himanshu Mehra

Star Cast

Pankaj Tripathi ...

Aditi Rao Hydari ...

Brijendra Kala ...

Writer

Brijendra Kala

Varun V. Sharma

Publicity PRO

Parag Desai

Universal Communications

Shooting Location(City & Country)

India

Thursday, November 12, 2026

Shah Rukh Khan gets emotional about owning a house, reveals even Mannat was beyond his means

 During a recent appearance at the Dubai launch of Shahrukhz Residences by Danube, Shah Rukh Khan candidly reflected on the profound emotional significance of homeownership, revealing that he was without a personal residence prior to his marriage to Gauri Khan.The actor, whose attendance at the event highlighted this milestone, articulated that securing a home has long stood as one of his most cherished aspirations.He further disclosed that even his renowned Mumbai abode, Mannat, was once financially out of reach, underscoring the enduring value he places on finally realizing this dream.

Chaired by filmmaker Karan Johar, the gathering included Gauri Khan, an interior designer, among its attendees.

During the conversation, Shah Rukh reflected on the early loss of his parents and how the absence of a permanent residence shaped his profound aspiration to own a home.He disclosed that his affection for domestic spaces is so intense that, upon arriving in any new city, he frequently envisions acquiring property there.

When discussing his deep-seated affection for homeownership, the actor remarked, "While I undoubtedly cherish my family and my professional endeavors, nothing in this world holds a greater place in my heart than the acquisition of a house.

Consequently, my children often tease me.Whenever we traverse a new city that appeals to me, I urge them to purchase a residence there, prompting their playful retort that such a feat is impossible in every location.Yet, I consider myself fortunate; I did not possess a home of my own until I wed Gauri."

Shah Rukh elaborated on the profound role a home plays in offering solace and emotional fortitude, especially amidst life's most arduous phases.

He urged individuals to maintain their optimism and strive toward their aspirations, even when the path to realization appears daunting.Reflecting on his journey of acquiring properties alongside Gauri, he remarked, "Our journey has encompassed both auspicious and trying times, marked by moments of profound joy interspersed with periods of deep despondency. Whenever life knocks you down, you must return to your sanctuary; it is there that you regenerate, resolve your complexities, and subsequently face the unforgiving realities of the world anew." He further noted that the first residence they purchased together exceeded their financial capacity, a pattern repeated with their latest acquisition, Mannat, which similarly surpassed their means.I wish to assure everyone that the Divine facilitates the acquisition of one's ideal dwelling; indeed, Allah aids those who seek a home.Should one fervently implore God for a residence, the Almighty shall bestow upon them the most magnificent abode of their lives, for the Supreme Being invariably grants the house of one's dreams.Therefore, maintain unwavering faith in both oneself and in God.


The occasion also showcased a more relaxed facet of the superstar, who revisited beloved lines from *Raees* and *Om Shanti Om*.

Subsequently, he ascended the stage to perform a dance routine to "Tu Mil Jaaye," a song featured in his forthcoming film *King*.