Friday, November 13, 2026

Amitabh Bachchan’s Jalsa at centre of family DISPUTE; sister-in-law Ramola challenges gift deed transferring iconic bungalow to Jaya Bachchan

Amitabh Bachchan's famous Jalsa bungalow in Mumbai is in the center of a property dispute. Ramola Bachchan, the superstar's sister-in-law, has reportedly contested a 1993 gift deed that gave Jaya Bachchan ownership of the house, according to a report in the Mumbai Mirror.

Startling: A family dispute centers on Amitabh Bachchan's Jalsa; sister-in-law Ramola contests the gift document that transfers the famous bungalow to Jaya Bachchan

Startling: Amitabh Bachchan's Jalsa is at the center of a family dispute; sister-in-law Ramola contests the gift deed that gives Jaya Bachchan the famous home.
Alia Bhatt, Ananya Panday, Anushka Sharma, Hrithik Roshan, Kiara Advani, Tara Sutaria, Shanaya Kapoor, and Priyanka Chopra Jonas
Next, throughout the course of the last seven months, Ramola, the spouse of Amitabh's brother Ajitabh Bachchan, is said to have lodged many complaints with registration officials. She says she did not know about the transaction and did not give her consent. The authorities are presently investigating the matter.

Jalsa was first registered in Ramola's name before being moved to Jaya's, according to Mumbai Mirror. After reported attempts to change Ramola's name with Jaya's on the government's Property Card, the conflict reappeared. Interestingly, the Property Card still has Ramola's name on it even though Kapol Housing Society records purport to identify Jaya as the owner.

The report also notes that concerns have been expressed over the execution of the 1993 donation deed. The charges state that the document was created on plain paper without stamp duty being paid at the time and purportedly lacked

Ramayana Day 8 Evening Box Office update: Ranbir Kapoor-Yash starrer collects Rs. 30.25 cr. by 5 PM; film crosses Rs. 520 cr.

On Thursday, November 12, Ramayana: Part I, which stars Yash and Ranbir Kapoor, will begin its eighth day in theaters. As of 5 PM, the mythical epic directed by Nitesh Tiwari had earned Rs. 30.25 crores nett in all languages, with 16,392 shows. Compared to its remarkable post-Diwali success earlier in the week, the movie is having a very muted Thursday, though occupancy levels have increased as the day has gone on.

Ananya Panday and Alia BhattShanaya Kapoor, Priyanka Chopra Jonas, Anushka Sharma, Hrithik Roshan, Kiara Advani, and Tara Sutaria
Ramayana had already earned Rs. 14.35 crores nett from 10,778 shows by 12 noon. According to the most recent update, collections have climbed by Rs. 15.90 crores since noon, and the reporting data also reveals an extra 5,614 shows.

An intriguing pattern may be seen in the occupancy statistics. Ramayana got off to a somewhat modest start on Thursday, with morning occupancy of 17.7%. On the other hand, occupancy in the afternoon increased to 32.5%, almost twice as high as in the morning. According to reports, nighttime occupancy is 29.1%, while evening occupancy is 31.1%. In comparison to the morning performances, the improvement in the afternoon and evening concerts suggests that audience turnout has increased. Nonetheless, the numbers are still far more muted than those from the post-Diwali climax of the movie. It is important to note that the nite occupancy estimate is tentative because a number of tests have not yet been completed.

The film's running domestic total is currently Rs. 520.45 crores nett, with Thursday's collections reaching Rs. 30.25 crores by 5 PM. In just eight days since its debut, Ramayana has easily surpassed the Rs. 500 crore milestone in India.



Parivarik ManuRanjan Movie

Parivarik ManuRanjan Cast & Crew

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AAZ Films

Bhanushali Studios Limited

Language

Hindi

Release Date

13 November 2026

Genre

Family

Comedy

Director

Varun V. Sharma

Producer

Vinod Bhanushali

Himanshu Mehra

Star Cast

Pankaj Tripathi ...

Aditi Rao Hydari ...

Brijendra Kala ...

Writer

Brijendra Kala

Varun V. Sharma

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Parag Desai

Universal Communications

Shooting Location(City & Country)

India

Thursday, November 12, 2026

Shah Rukh Khan gets emotional about owning a house, reveals even Mannat was beyond his means

 During a recent appearance at the Dubai launch of Shahrukhz Residences by Danube, Shah Rukh Khan candidly reflected on the profound emotional significance of homeownership, revealing that he was without a personal residence prior to his marriage to Gauri Khan.The actor, whose attendance at the event highlighted this milestone, articulated that securing a home has long stood as one of his most cherished aspirations.He further disclosed that even his renowned Mumbai abode, Mannat, was once financially out of reach, underscoring the enduring value he places on finally realizing this dream.

Chaired by filmmaker Karan Johar, the gathering included Gauri Khan, an interior designer, among its attendees.

During the conversation, Shah Rukh reflected on the early loss of his parents and how the absence of a permanent residence shaped his profound aspiration to own a home.He disclosed that his affection for domestic spaces is so intense that, upon arriving in any new city, he frequently envisions acquiring property there.

When discussing his deep-seated affection for homeownership, the actor remarked, "While I undoubtedly cherish my family and my professional endeavors, nothing in this world holds a greater place in my heart than the acquisition of a house.

Consequently, my children often tease me.Whenever we traverse a new city that appeals to me, I urge them to purchase a residence there, prompting their playful retort that such a feat is impossible in every location.Yet, I consider myself fortunate; I did not possess a home of my own until I wed Gauri."

Shah Rukh elaborated on the profound role a home plays in offering solace and emotional fortitude, especially amidst life's most arduous phases.

He urged individuals to maintain their optimism and strive toward their aspirations, even when the path to realization appears daunting.Reflecting on his journey of acquiring properties alongside Gauri, he remarked, "Our journey has encompassed both auspicious and trying times, marked by moments of profound joy interspersed with periods of deep despondency. Whenever life knocks you down, you must return to your sanctuary; it is there that you regenerate, resolve your complexities, and subsequently face the unforgiving realities of the world anew." He further noted that the first residence they purchased together exceeded their financial capacity, a pattern repeated with their latest acquisition, Mannat, which similarly surpassed their means.I wish to assure everyone that the Divine facilitates the acquisition of one's ideal dwelling; indeed, Allah aids those who seek a home.Should one fervently implore God for a residence, the Almighty shall bestow upon them the most magnificent abode of their lives, for the Supreme Being invariably grants the house of one's dreams.Therefore, maintain unwavering faith in both oneself and in God.


The occasion also showcased a more relaxed facet of the superstar, who revisited beloved lines from *Raees* and *Om Shanti Om*.

Subsequently, he ascended the stage to perform a dance routine to "Tu Mil Jaaye," a song featured in his forthcoming film *King*.

Hanuman Ansh makers hit JACKPOT yet again; Sony acquires OTT and satellite rights for a WHOPPING Rs. 63 cr

 Hanuman Ansh has left the entire trade and industry astounded with its box office trajectory. Premiering in theaters on August 7, the film initially encountered difficulty in drawing audiences. However, its fortunes underwent a dramatic reversal in its third week, culminating in an explosive surge in earnings during the fourth and fifth weeks. Even while facing stiff competition from *Toxic* and *Mirzapur The Movie*, Hanuman Ansh maintained a robust presence at the box office. Ultimately, this modestly budgeted production amassed cumulative gross earnings exceeding Rs.300 crores. Typically, theatrical releases transition to OTT platforms approximately eight weeks following their cinema debut. Consequently, the production team opted to defer the film's digital debut following Hanuman Ansh's substantial theatrical run. More than three and a half months after its initial cinema release, the devotional epic will ultimately surface on Sony LIV. Recent announcements confirm that the film will premiere on the streaming platform on November 27, with a subsequent broadcast on Sony MAX scheduled to follow shortly thereafter.


According to reliable sources, the production house has received substantial remuneration for the film's post-theatrical rights.

A representative from source revealed that Sony has acquired the digital and television distribution rights for *Hanuman Ansh* at a valuation of Rs.63 crores.While this figure represents a significant financial transaction, it is commensurate with the film's stature; *Hanuman Ansh* was not merely a regional release but a nationwide phenomenon that captivated audiences ranging from patrons of single-screen theaters and multiplexes in megacities to viewers in remote villages.Furthermore, a considerable portion of the audience remains unserved, with many having yet to experience the film, while others are eager for a rewatch. Consequently, the Sony team maintains a robust confidence that *Hanuman Ansh* will garner extensive viewership across both digital platforms and satellite television.This rationale underpins their conviction that securing the rights at such a price is entirely warranted.

Source recently reported that a celebratory gala to mark the film's triumph will be staged in Mumbai over the coming weekend.

According to a source cited by the outlet, the success party for *Hanuman Ansh* is set to draw the entire production team in full force, including the producers, director Vishal Chaturvedi, and the principal cast.Notably, representatives from Cinepolis India, the film's distributor, will also attend to acknowledge their pivotal contribution to its box office performance, having secured a robust theatrical rollout that was instrumental in the movie's success.


The source further elaborated, "Nevertheless, this event will deviate from conventional cinematic triumph celebrations.

Notably, the gathering will eschew both alcoholic beverages and non-vegetarian sustenance.In their place, attendees will be offered exclusively satvik vegetarian fare, a choice aligned with the creative team's convictions and the spiritual essence of *Hanuman Ansh*.The filmmakers intend for the celebration to embody the ethical principles and emotional resonance intrinsic to the motion picture."

Rohit Shetty clarifies his social media presence after fake post about Gaurav Gupta’s Bigg Boss 20 roast goes viral: “My only official social media presence is on Instagram”

Following the viral circulation of a purported post by filmmaker Rohit Shetty, which purportedly mocked comedian Gaurav Gupta's roasting of Bigg Boss 20 participants Scout OP and Love Gill, the director has issued a definitive clarification concerning his official digital presence.Shetty has directly addressed the ensuing speculation, unequivocally stating that he does not maintain active accounts across all social media platforms.

Following the viral spread of a counterfeit post purporting to feature Gaurav Gupta's *Bigg Boss 20* roast, Rohit Shetty has issued a definitive statement to correct the record regarding his digital footprint.
He unequivocally affirmed that his sole official social media channel is Instagram, thereby disavowing any other platforms where such misinformation may have appeared.
In a statement issued on Instagram, Rohit underscored that this platform constitutes his sole official social media outlet.
He further clarified his absence from Facebook and X (formerly Twitter), explicitly warning the public to be vigilant against impersonators and to refrain from engaging with fraudulent profiles purporting to represent him.

As Rohit clarified, his sole official social media presence is maintained exclusively on Instagram, with no official accounts existing on either Facebook or X.

The filmmaker further scrutinized the proliferation of illicit profiles purporting to embody his identity and persona.
Cautioning the public against interacting with such deceptions, he asserted that any account or profile claiming to be me on these platforms is fake and unauthorised.

Following the viral spread of a fabricated post purporting to feature a roast of Gaurav Gupta on Bigg Boss 20, director Rohit Shetty has issued a definitive clarification regarding his digital footprint, asserting unequivocally that his sole authorized social media platform is Instagram.

Rohit reiterated his appeal, imploring the public to sever any association between himself and material disseminated via these profiles.
"I implore everyone to refrain from interacting with such accounts or interpreting any content published through them as emanating from me," he stated, concluding with an expression of gratitude for their understanding and sustained support.

Amidst ongoing discourse regarding a viral post attributed to Rohit, which emerged following Gaurav Gupta's satirical roast of *Bigg Boss* Season 20 contestants Scout OP and Love Gill, Rohit offered clarification on the matter.
The post, which circulated widely online, ostensibly advocated for boundaries in comedy, arguing that while roasting can be acceptable, it should not devolve into mockery that targets individuals under the guise of humor.The specific message conveyed was: «Friendly roasting theek hai par roasting ke naam par kisi ka mazaak udaana band hona chahiye.».

The post further stated, “Hansana achhi baat hai, lekin kisi ko rulakar ya insult karke hansna nahi.
Respect everyone!”

Rumors circulated that the purported message was tied to Gaurav's jests regarding Scout OP's romantic entanglement with Kaashvi Hiranandani and his professional alignment with fellow contestant Love Gill.
As the narrative gained momentum, numerous social media users conjectured that Rohit had, albeit indirectly, offered commentary on the comedian's performance.

Consequently, through his most recent statement, the filmmaker has explicitly disavowed the Facebook and X accounts disseminating such material, reaffirming that Instagram stands as his sole authorized social media channel.

Karan Johar defends celebrity couple episodes amid Koffee With Karan trolling: “Don’t tell a couple what they should do”

Prominent filmmaker and television host Karan Johar has publicly addressed the torrent of online vituperation directed at the celebrity couple segments of *Koffee With Karan*, specifically those spotlighting Ranveer Singh and Deepika Padukone in Season 8, as well as the pairing of Vijay Deverakonda and Rashmika Mandanna in the most recent iteration.Speaking with *The Hollywood Reporter India*, Johar articulated his concerns regarding the public's tendency to dissect the private dynamics of these high-profile unions and offer intrusive commentary on matters that remain strictly personal.

Reflecting on the intense backlash that ensued following the inaugural episode of *Koffee With Karan 8*—which notably marked the first joint appearance of Ranveer Singh and Deepika Padukone on the celebrity talk show—Karan asserted that the couple was merely expressing the truth regarding their personal dynamic.
In his defense of their shared presence, he remarked, "They are beautifully in love.Such good actors in love with each other."

He subsequently interrogated the rationale behind transforming their candid discourse into a matter for censure.
"Their remarks were merely an affirmation of their lived realities; at what point does sincerity warrant scrutiny rather than appreciation?" he remarked, asserting that one ought to value, not condemn, the truthfulness of another.

Karan further addressed the controversy ignited by the segment involving Vijay Deverakonda and Rashmika Mandanna from the second installment of *Koffee With Karan 9*.
While acknowledging the public's intense scrutiny of the couple's dynamics and the validity of individual opinions, the filmmaker delineated a critical boundary: there exists a fundamental distinction between articulating an observation and imposing one's will on how two individuals ought to navigate their personal relationship.

He remarked, "While everyone is entitled to hold an opinion, the moment one begins dictating course within that relationship, I find myself profoundly troubled." Challenging the presumptuous nature of such unsolicited advice, he further inquired, "Pray tell, who exactly are you?
Do you qualify as a counselor?A legal professional?Or are you even a member of their family?"

The filmmaker further articulated apprehensions regarding the encroachment of celebrity families into digital discourse.
He observed that while public figures inevitably become subjects of public scrutiny and opinion, their kin ought not to be indiscriminately drawn into deliberations concerning their professional or personal relationships."You are critiquing their families.While one may form an opinion on any celebrity, such scrutiny should never demean the loved ones who were not present in that intimate setting," he remarked.

In contemplating the contemporary landscape of digital discourse, Karan noted that assertions articulated during the program are now invariably subjected to rigorous examination, with individual utterances frequently dissected and scrutinized.
He conceded that online venues have indeed afforded content producers and media outlets the capacity to cultivate audiences through sensationalist headlines and polarizing viewpoints.Nevertheless, he insisted that all participants within this complex ecosystem share a collective responsibility.

At any given moment, every utterance undergoes meticulous micro-analysis.
He remarked that while such scrutiny is inevitable, securing a specific level of viewership through a clickbait headline or a commentary piece on the program remains a viable, albeit secondary, objective if one deems it worthwhile.

Explaining his perspective on the changing digital landscape, Karan added, “You're doing your job and I'm doing mine.
They're doing their job because the internet is now very monetizable.If your job means click-baiting something, rage-baiting something, and that is going to result in you earning from it, then it's fine.Or if you're just having an opinion, you're allowed [to].

It's a democratic nation."

Drawing a distinction between criticism and attempts to influence audience choices, Karan also shared his views on the larger culture of reviews and commentary.
“I have no problem with a critic saying this is a bad film.I have a problem when they say don't watch it,” he explained.

Reaffirming his position regarding celebrity relationships, the filmmaker emphasized that while audiences are entitled to scrutinize the dynamics they observed on the program, they must refrain from arrogantly dictating the trajectory of a couple's future.
"Do not dictate to a pair the course they ought to follow; you may offer your analysis of their interactions, but you possess no authority to prescribe their ultimate conclusion," he stated.

Karan concluded by emphasizing that both couples have found profound contentment within their respective partnerships, asserting that Vijay and Rashmika constitute an exceptionally happy union, just as Ranveer and Deepika represent an equally exemplary and joyful partnership.

Through his remarks, the filmmaker has illuminated the intense scrutiny endured by celebrity pairs on social media platforms, especially when off-the-cuff exchanges on entertainment programs escalate into broader online controversies.