Ramayana Box Office: Maharashtra BEATS Yash’s Karnataka in collections despite selling FEWER tickets; TOP 10 states reveal SURPRISING trends

Ramayana – Part I, starring Ranbir Kapoor and Yash, has accrued approximately Rs.176 crores in net box office revenue across India within its initial three-day run.Although this mythological epic has generated considerable commercial success nationwide, a granular, state-by-state examination uncovers several intriguing patterns.Maharashtra has distinguished itself as the film's most lucrative market, edging out Karnataka in terms of gross revenue.Yet, the more striking anomaly lies in the disparity between ticket volume and earnings: Karnataka has facilitated a higher number of ticket sales than Maharashtra, despite producing a lower total gross.

Based on comprehensive box office figures for November 5, 6, and 7, Maharashtra secured the top spot with a nett collection of Rs.

32.96 crores, narrowly edging out Karnataka, which amassed Rs.30.29 crores.The National Capital Region (NCR) claimed the third place with Rs.17.95 crores, while Telangana and Gujarat rounded out the leading five markets.

Although Maharashtra generates the highest state revenue, Karnataka secures the victory in the competition for visitor numbers.

Maharashtra has solidified its position as the most lucrative market for the Ramayana, accounting for roughly 18.73% of the film's total net collections across the nation.

On Thursday, the state recorded collections amounting to Rs.10.12 crores, which were followed by Rs.8.55 crores on Friday, before surging to a substantial Rs.14.28 crores on Saturday.Notably, Maharashtra experienced a dramatic 67.05% increase in collections on Saturday relative to Friday, a performance that significantly strengthened its position ahead of Karnataka.In contrast, Karnataka has amassed Rs.30.29 crores over the three-day period, representing approximately 17.22% of the national total.

Conversely, ticket sales data presents a contrasting narrative: Karnataka has recorded 7.95 lakh admissions, surpassing Maharashtra's figure of 7.47 lakh tickets.

This indicates that Karnataka has drawn approximately 47,600 additional patrons, even while generating Rs.2.66 crores less in revenue.

Maharashtra and Karnataka collectively contribute 36 percent to the nation's total business output.

In the initial three-day period, the combined net earnings from Maharashtra and Karnataka amounted to Rs.63.25 crores, signifying that these two states alone captured approximately 36% of *Ramayana*'s total domestic gross.Notably, Karnataka initially outperformed Maharashtra on Thursday, securing Rs.11.37 crores compared to Maharashtra's Rs.10.12 crores; however, Maharashtra reclaimed the lead on Friday and subsequently expanded the disparity over the weekend.This trajectory suggests that while Karnataka established a formidable opening, Maharashtra exhibited superior momentum as the weekend progressed.

NCR takes third position; Telangana beats Gujarat Securing the third place, the National Capital Region (NCR) generated a net total of Rs. 17.95 crores, driven by a robust recovery over the weekend with contributions of Rs.6.06 crores on Thursday, Rs.4.88 crores on Friday, and Rs.7.01 crores on Saturday. Telangana claimed the fourth position with Rs.13.28 crores, edging out Gujarat's Rs.12.78 crores in a closely contested margin. Nevertheless, the underlying ticket-sales data expose a striking divergence: Telangana sold approximately 6.39 lakh tickets compared to Gujarat's 3.65 lakh admissions. Consequently, despite Telangana's volume exceeding Gujarat's by roughly 75%, its revenue advantage remains modest at merely Rs.50 lakh.

The subsequent three positions are occupied by Tamil Nadu, West Bengal, and Uttar Pradesh.

Tamil Nadu secures the sixth position with a net revenue of Rs.

7.81 crores, trailed closely by West Bengal at Rs.7.43 crores and Uttar Pradesh at Rs.7.29 crores.Further down the list, Andhra Pradesh occupies the ninth rank with Rs.7.09 crores, while Kerala rounds out the top ten, registering Rs.6.84 crores. Andhra Pradesh offers a compelling case study illustrating the divergence between gross admissions and net revenue. Although the state has sold approximately 5.45 lakh tickets—a figure substantially exceeding those of Gujarat, West Bengal, and Uttar Pradesh—it manages to rank lower than all three in terms of revenue.

Top 10 states for Ramayana

Maharashtra – Rs. 32.96 cr.

Karnataka – Rs. 30.29 cr.

NCR – Rs. 17.95 cr.

Telangana – Rs. 13.28 cr.

Gujarat – Rs. 12.78 cr.

Tamil Nadu – Rs. 7.81 cr.

West Bengal – Rs. 7.43 cr.

Uttar Pradesh – Rs. 7.29 cr.

Andhra Pradesh – Rs. 7.09 cr.

Kerala – Rs. 6.84 cr.

Ramayana Overseas Box Office: Ranbir Kapoor–Yash starrer BEATS Drishyam 3’s lifetime collections in just 3 DAYS; becomes 2026’s 2nd BIGGEST overseas grosser

Ramayana – Part I, a mythological epic helmed by Ranbir Kapoor and Yash, has recently attained a notable benchmark in the international box office landscape.In a mere three-day span, the long-anticipated production has amassed an impressive USD 16.71 million overseas, thereby eclipsing the lifetime global earnings of Drishyam The Conclusion (Drishyam 3).Consequently, Ramayana now stands as the second-highest international grosser of 2026, trailing only Dhurandhar The Revenge.

The achievement is especially significant given that *Drishyam: The Conclusion* amassed only USD 13.897 million throughout its complete international theatrical run.

In stark contrast, *Ramayana* has already eclipsed that benchmark within its initial three days of release.Furthermore, the film has surged past other prominent 2026 productions, notably *Mirzapur – The Movie* and *Border 2*, which have recorded overseas lifetime collections of USD 6.90 million and USD 6.30 million, respectively.

Despite the impressive international performance of *Ramayana*, *Dhurandhar The Revenge* retains its dominance as the leading release of 2026.

Currently, *Ramayana* trails *Dhurandhar The Revenge* by a margin of USD 34.29 million, having accumulated USD 16.71 million globally.Although this disparity is substantial, it must be contextualized by the fact that *Ramayana*'s theatrical run has only spanned three days abroad; its ultimate overseas gross remains contingent upon its trajectory over the ensuing weeks.

The film's rapid ascent to the second position within merely three days serves as a compelling testament to the magnitude of its global debut.

Top 5 overseas grossers of 2026

Dhurandhar The Revenge: $51.00 million.

Ramayana – Part I garnered $16.71 million.

The conclusion for *Drishyam* stands at $13.897 million.

Mirzapur – The Movie: $6.90 mil.

The second border is valued at $6.30 million.

Ramayana Box Office: Day-wise, language-wise BREAKDOWN of Ranbir Kapoor-Yash starrer; Hindi leads while Kannada and Telugu battle for No. 2

In its first three days of release, Ramayana – Part I, starring Ranbir Kapoor and Yash, has amassed a nett box office total of Rs.176.11 crores at the Indian box office.The highly anticipated mythological epic, which premiered on Thursday, November 5, generated an opening day gross of Rs.62.47 crores before experiencing a dip to Rs.45.84 crores on Friday; however, it recovered momentum on Saturday, achieving its most substantial single-day collection of Rs.67.80 crores.

Although aggregate figures suggest a robust recovery across the weekend, a granular analysis by linguistic segment unveils several nuanced trends.

The Hindi iteration has solidified its status as the film's primary revenue driver, whereas the Kannada and Telugu versions remain locked in a fierce contest for the runner-up spot.

Language Thu Fri Sat Total

Hindi achieved values of 45.46, 34.29, and 51.66, culminating in a total of 131.41.

Kannada 7.00 4.58 5.85 17.43

The recorded values for Telugu are 6.22, 4.50, 5.98, and 16.70.

Tamil, recorded at 2.44, 1.41, 2.35, and 6.20.

The values recorded for Malayalam are 1.35, 1.06, 1.96, and 4.37.

Across all languages, the figures stand at 62.47, 45.84, 67.80, and 176.11 respectively.

NOTE – All figures in INR cr.

Hindi accounts for approximately three-quarters of the cumulative total recorded over the three-day period.

In its initial three-day run, the Hindi edition secured Rs.

131.41 crores in net revenue, representing roughly 74.62% of Ramayana's aggregate domestic box office earnings.

Kannada secures the second place with a contribution of Rs.

17.43 crores, narrowly trailing Telugu, which registers at Rs.16.70 crores.Tamil follows with an allocation of Rs.6.20 crores, whereas Malayalam accounts for Rs.4.37 crores.

In aggregate, the four South Indian language releases have amassed Rs.

44.70 crores, accounting for roughly 25.38% of the film's overall box office performance.

Data indicates that although the film *Ramayana* is garnering audiences across linguistic boundaries, Hindi remains the undisputed force driving its box office success.

This trend is underscored by a significant upward trajectory in Hindi's share, which surged from 72.77% on Thursday to 76.19% by Saturday.In contrast, the markets for Kannada and Telugu have remained nearly identical, with cumulative collections after three days differing by a mere Rs.73 lakh.

Current linguistic performance metrics delineate a distinct hierarchy: Hindi serves as the foundational pillar of *Ramayana*'s commercial trajectory, while Kannada and Telugu vie for the secondary position with considerable parity.

Furthermore, the film's recovery on Saturday has revitalized its momentum, positioning it favorably for the upcoming Sunday release.

Ramayana Worldwide Box Office: Ranbir Kapoor-Yash starrer grosses a MASSIVE Rs. 366.58 cr. in 3 days; Saturday collections jump 40% globally

Ramayana - Part I, the mythological epic headlined by Ranbir Kapoor and Yash, has secured a formidable worldwide gross of Rs.366.58 crores within merely three days of its theatrical release.Upon its premiere on Thursday, November 5, the long-anticipated film demonstrated a remarkable recovery on Saturday, with box office collections surging significantly across both domestic and international markets.This momentum culminated in the film's third-day worldwide gross reaching Rs.140.63 crores, thereby establishing a new benchmark for its highest single-day revenue to date.

The film's worldwide theatrical run commenced with gross collections of ₹125.55 crores on Thursday, succeeded by ₹100.40 crores on Friday.

Notably, Saturday witnessed a substantial resurgence, as global revenues surged by 40.07% compared to the previous day to reach ₹140.63 crores.Furthermore, Saturday's performance exceeded opening day figures by 12.01%, demonstrating that the film has successfully reestablished momentum following the downturn observed on its second day.

In a span of merely three days, overseas markets generated a substantial influx of USD 16.71 million.

A defining feature of the *Ramayana*'s global trajectory is its formidable international revenue generation.

This Ranbir Kapoor and Yash production has amassed USD 16.71 million abroad within merely three days, underscoring the critical commercial weight of overseas markets.The film initially garnered USD 5.45 million on its Thursday debut, followed by USD 4.88 million the subsequent Friday.However, Saturday marked a robust resurgence, with international takings surging to USD 6.38 million—a 30.74% increase compared to Friday's performance.Significantly, this Saturday became the film's most lucrative international day to date, eclipsing Thursday's opening-day haul by 17.06%.

India witnesses an even sharper Saturday recovery

Domestic performance has been instrumental in Ramayana's global triumph.

In India, the film commenced its run with a net collection of Rs.62.47 crores on Thursday, subsequently dipping to Rs.45.84 crores by Friday.Yet, Saturday marked a dramatic reversal, as net receipts surged by 47.91% to reach Rs.67.80 crores.

The cumulative three-day gross for India has reached a net total of Rs.

176.11 crores when aggregated across all language variants.Notably, Saturday's growth trajectory within the domestic market significantly outpaced international performance; while local box office collections surged by 47.91%, overseas receipts expanded by a comparatively modest 30.74%.

Ramayana worldwide box office

Market Thu Fri Sat 3-day total

India nett (₹ cr.) 62.47 45.84 67.80 176.11

Overseas revenue amounted to USD 5.45 million, USD 4.88 million, USD 6.38 million, and USD 16.71 million, respectively.

The global gross earnings amounted to 125.55 crores, 100.40 crores, 140.63 crores, and 366.58 crores, respectively.

Ramayana – Part I Worldwide Box Office: Ranbir Kapoor – Yash starter collects Rs. 121.62 cr globally on Day 1

The globally anticipated mythological epic *Ramayana – Part I*, starring Ranbir Kapoor and Yash, has achieved a formidable debut at the worldwide box office, amassing a gross of Rs.121.62 crores on its opening day.This impressive figure reflects the film's cumulative performance across all linguistic versions, underscoring the robust initial response from both domestic and international markets.Fueled by widespread anticipation among audiences throughout various regions, the production has established a powerful global presence, with significant revenue contributions originating from India as well as overseas territories.

Initial box office data indicates that *Ramayana - Part I* amassed a nett collection of Rs.

62.47 crores within the Indian market, corresponding to a gross figure of Rs.74.37 crores.International markets bolstered these domestic earnings by an additional Rs.47.25 crores in gross revenue, elevating the film's worldwide opening day total to Rs.121.62 crores gross.This overseas performance is particularly significant, representing a substantial segment of the film's global debut.

Notwithstanding its formidable figures, *Ramayana - Part I* has failed to eclipse the global opening day benchmark set by *Adipurush*.

The 2023 release, starring Prabhas, generated a worldwide gross of Rs.140 crores on its inaugural day.By contrast, *Ramayana - Part I* trailed this mark by Rs.18.38 crores, thus forfeiting the chance to claim the distinction of being the highest-grossing opening day for an Indian mythological film on a global scale.

Notably, Ramayana – Part I's overseas performance has been instrumental in propelling its global first-day collection beyond the ₹120 crore threshold.

With international territories contributing ₹47.25 crore, the film has exhibited substantial appeal extending well beyond its domestic base.Concurrently, the India gross of ₹74.37 crore underscores a robust theatrical reception at home, having successfully breached the ₹60 crore nett milestone on its opening day.

Although the film has yet to surpass the global debut of *Adipurush*, its worldwide opening of ₹121.62 crore stands as a considerable accomplishment.

Attention now pivots to its performance during the opening weekend, specifically assessing its capacity to maintain momentum across both the Indian and international markets.The ensuing trajectory will be pivotal in establishing whether *Ramayana – Part I* can capitalize on this robust commencement and ultimately evolve into one of the year's most prominent global box office triumphs.

Amidst a global box office haul of Rs.

121.62 crores on its inaugural day, *Ramayana - Part I* has undeniably asserted a formidable presence on the international stage.Nevertheless, it currently falls short of surmounting the Rs.140 crore opening threshold established by *Adipurush*, a milestone that remains elusive for the moment.

Ramayana - Part I Worldwide Collections

India Nett: Rs.

52.47 cr

India Gross: Rs.

74.37 cr

Overseas Gross: Rs.

47.25 cr

Worldwide: Rs.

121.62 cr

Big Screen or Streaming Screen: Where are actors finding their most interesting roles?

For decades, the theatrical release stood as the pinnacle of an actor's career, a gateway to widespread visibility, professional recognition, and immersion within the zeitgeist of popular culture.However, the advent of streaming platforms has fundamentally reshaped the strategic trajectory of performers.Contemporary original programming on Over-The-Top services now frequently commissions deeply nuanced characters and intellectually demanding performances, whereas cinema retains its unique capacity to deliver the grandeur, spectacle, and monumental, larger-than-life roles that remain exceptionally difficult to emulate in any other medium.

Big Screen or Streaming Screen: Where are actors finding their most interesting roles?

The debate has transcended the binary choice between cinema and digital series, evolving into a nuanced inquiry regarding the specific roles an actor seeks to embody and the distinct creative autonomy each medium affords.

OTT has opened doors to more complex characters

Among the most significant merits of streaming lies the expansive latitude it affords for narrative development.

In contrast to the rigid two-hour constraint of theatrical cinema, a web series possesses the capacity to nurture its characters across multiple installments, thereby facilitating a more profound examination of their motivations, interpersonal dynamics, inherent flaws, and evolutionary trajectories.

This shift has fostered an environment where actors are empowered to embody roles that defy traditional heroism and lack universal appeal.

Veterans such as Jaideep Ahlawat, Pankaj Tripathi, Manoj Bajpayee, and Shefali Shah have consistently delivered profound performances within the streaming landscape, frequently channeling characters defined by intricate psychologies and emotionally contradictory impulses.

Series such as *Paatal Lok*, *Mirzapur*, *The Family Man*, and *Delhi Crime* have illustrated the capacity of OTT platforms to enable actors to sustain their association with a single character over extended durations.

These opportunities prove especially gratifying for performers seeking to delve into the nuanced complexities of a personality, rather than merely serving as vehicles to propel a cinematic narrative forward.

Theatrical cinema continues to deliver a spectacle of grandiose proportions that transcends the ordinary.

Notwithstanding the ascendancy of streaming platforms, the cinematic experience retains substantial allure.

Motion pictures presented in theaters afford performers the chance to participate in ambitious, large-scale productions, collaborate with distinguished directors, and engage diverse audiences spanning various demographics and international markets.

For prominent actors, a theatrical release offers a degree of visibility that is virtually unparalleled, as evidenced by the enduring audience engagement with iconic cinematic characters and performances in blockbusters like Pathaan, Jawan, Animal, and Dhurandhar.

Furthermore, theatrical cinema affords actors the unique capacity to inhabit genres that derive their power from grandeur, such as action sequences, historical epics, mythological sagas, fantasy realms, and expansive family spectacles.

This communal immersion within a cinema auditorium introduces an additional layer of intensity to the performance, especially when the narrative is meticulously crafted to evoke awe and profound emotional resonance.

Prominent established celebrities are increasingly demonstrating a willingness to embrace Over-The-Top (OTT) platforms.

A further notable evolution lies in the diminishing rigidity of the boundary separating film stars from OTT actors.

An increasing number of established performers are now prepared to engage with streaming projects, provided the content aligns with their artistic interests.

Consequently, performers are no longer compelled to rely solely on theatrical cinema as the sole arena for artistic exploration.

Streaming series provide a unique vehicle for demanding roles that exist independently of the intense commercial imperatives often attached to high-budget theatrical productions.Simultaneously, over-the-top (OTT) platforms stand to gain significant advantages by securing established talent, whose recognizable presence serves as a powerful draw for audiences.

Conversely, performers who have garnered acclaim via streaming platforms are now securing roles within theatrical cinema.

This fluid interchange between the two mediums indicates that artistic merit and the caliber of the script are assuming greater significance than the specific distribution platform chosen for a project.

The liberty to engage in experimentation constitutes a primary draw.

The ascendancy of streaming platforms has empowered writers and directors to venture into narratives that frequently defy the traditional constraints of theatrical cinema.

Within this medium, protagonists may exhibit profound moral ambiguity, supporting characters are afforded significant emotional resonance, and storytelling can prioritize themes that lack the immediate commercial appeal of a blockbuster opening weekend.

For actors, this translates to the ability to embody a broader spectrum of roles, ranging from imperfect protagonists and formidable antagonists to figures whose arcs diverge from conventional narrative structures.

These opportunities hold particular significance for performers seeking to transcend the limitations of typecasting.

Yet, it would be inequitable to assert that significant artistic contributions are the sole prerogative of OTT platforms; theatrical cinema persists in crafting character-driven narratives, wherein numerous performers continue to deliver their most indelible performances within stories conceived expressly for the cinematic experience.

Consequently, from whence do performers derive their most compelling characters?

The response ultimately hinges upon the specific creative talent, the screenplay's merit, and the director's vision.

Presently, streaming platforms may afford more expansive latitude for the intricate evolution of characters over time, whereas theatrical cinema persists in offering unparalleled grandeur, heightened visibility, and broad mass appeal.Neither distribution channel holds an exclusive claim to superior storytelling or enduring performances.

For performers, the most compelling opportunity lies ultimately in undertaking a role that demands an unprecedented range of expression.

A meticulously crafted character within a web series may prove as intellectually and artistically rewarding as a demanding lead part in a theatrical film.Conversely, a supporting role in a cinematic release might afford significantly greater creative latitude than a leading position in a mediocre streaming production.

The most significant transformation lies in the dissolution of the binary opposition between theatrical and streaming careers, allowing performers to traverse both domains with fluidity.

Actors are now empowered to explore diverse genres and cultivate distinct audience segments by shifting seamlessly across platforms.Within the contemporary entertainment ecosystem, the caliber of the performance has superseded the venue of consumption, rendering the distinction between a cinema screen and a home television increasingly irrelevant to an actor's professional viability.

Vijay Sethupathi to become FIRST Indian actor to present at 54th International Emmy Awards in New York: Report

Tamil cinema stalwart Vijay Sethupathi is poised to make history by representing India at the 54th International Emmy Awards, where he will serve as a presenter at the ceremony scheduled for November 23, 2026, in New York.As reported by The Hollywood Reporter India, this distinction will mark the first occasion an Indian presenter has been honored to showcase their talents at this preeminent global television accolade.

This achievement signifies a pivotal milestone for Indian creative talent on the world stage of entertainment.

Sethupathi's involvement is not merely an isolated occurrence but rather a strategic initiative designed to elevate Indian artists onto prestigious international forums.Kavita Gupta, a producer and a member of the board at the International Academy of Television Arts & Sciences, is credited with playing a pivotal role in orchestrating this development.

Organized by the International Academy of Television Arts & Sciences, the International Emmy Awards celebrate preeminent achievement in television programming crafted beyond the borders of the United States.

The forthcoming 54th iteration of this distinguished event will convene media professionals from diverse nations in New York, with the Academy having officially designated November 23 as the date for this year's ceremony.

Vijay Sethupathi's upcoming projects

This project arrives during a pivotal moment in Sethupathi's professional trajectory.

Having recently portrayed the moral redemption arc of a gangster in Balaji Tharaneetharan's *Baththa*, the actor is set to expand his portfolio with two high-profile collaborations: he will co-star with Sai Pallavi in Mani Ratnam's *Inji Vellam*, and appear alongside Raj B Shetty and Malavika Mohanan in Thiagarajan Kumararaja's *Pocket Novel*.

Concurrently, Sethupathi has affirmed that his 2024 action thriller, *Maharaja*, is slated for an American adaptation, while also disclosing that a sequel is currently in development; director Nithilan Saminathan has already recounted the narrative of the follow-up to him.

Additionally, Murad Khetani discusses his Tamil film debut in *Baththa*, attributing the decision as an organic progression and crediting director Atlee, while addressing the possibility of a Hindi dub for the Vijay Sethupathi vehicle, indicating a willingness to explore such an opportunity.