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Thursday, November 5, 2026
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Ramayana – Part I Movie
Ramayana – Part I Cast & Crew
Banner
Prime Focus Ltd.
Monster Mind Creations
Language
Hindi
Release Date
05 November 2026
Genre
Mythological
Drama
Director
Nitesh Tiwari
Producer
Namit Malhotra
Star Cast
- Ranbir Kapoor as Rama
- Kapoor also portrays Parashurama
- Yash as Ravana
- Raghav Malhotra[17] as young Ravana
- Sai Pallavi as Sita
- Kiara Sadh / Rhyah Narasimhan as young Sita
- Sunny Deol as Hanuman
- Ravi Dubey as Lakshmana
- Arun Govil as Dasharatha
- Lara Dutta as Kaikeyi
- Indira Krishnan as Kaushalya
- Sonal Jha as Sumitra
- Rajiv Kumar as Janaka
- Adinath Kothare as Bharata
- Nitish Sharma as Shatrughna
- Kajal Aggarwal as Mandodari
- Rakul Preet Singh as Shurpanakha
- Dishita Sehgal as young Shurpanakha
- Anupam Kher as Jatayu (voice-over)
- Vivek Oberoi as Vidyutjihva
- Harish Uthaman as Vibhishana
- Kunal Kapoor as Indra
- Suhail Nayyar as Sugriva
- Sheeba Chaddha as Manthara
- Shishir Sharma as Vasishtha
- Ajinkya Deo as Vishvamitra
- Mukesh Tiwari as Agastya
- Sonia Balani as Urmila
- Riya Kapoor as Mandavi
- Surabhi Das as Shrutakirti
- Shobana as Kaikashi
- Raghav Juyal as Meghanada
- Faisal Malik as Kumbhakarna
- Parminder Chhada as Subahu
- Saurabh Sachdeva as Maricha
- Kanchan Chetal as Tataka
- Chetan Hansraj as Sumali
Writer
Shridhar Raghavan
Costume Designer
Harpreet Narula
Rimple Narula
Saniya Sardhariya
Co-Producer
Niraj Sanghai
Music Director
A. R. Rahman
Hans Zimmer
Lyricist
Kumar Vishwas
Editor
Huzefa Lokhandwala
Cinematographer
Mahesh Limaye
Pankaj Kumar
Screenplay
Shridhar Raghavan
Nitesh Tiwari
Dialogue
Nitesh Tiwari
Shreyas Jain
Casting Director
Mukesh Chabbra
Action Director
Guy Norris
Terry Notary
Art Director
Sarah Bicknell
Christine Ivall
Playback Singers
Shreya Ghoshal
Vishal Dadlani
Vaishali Samant
Arijit Singh
A.R. Ameen
Rakshita Suresh
Antra Nandy
Publicity PRO
Spice
Shooting Location(City & Country)
India
Music Company
T-Series
Production Designer
Ravi Bansal
Ramsey Avery
Censor Details:
Censor Dates
2026/10/30
Censor Certificate No
DIL/1/62/2026-MUM
Runtime
3h 15min
Certification
U
Wednesday, November 4, 2026
Udta Teer Box Office
Udta Teer Box Office Collections
INDIA BOX OFFICE COLLECTION
Schedule Amount
Opening Day 3.89 cr.
End of Opening Weekend 18.83 cr.
End of Week 1 30.08 cr.
Total Collection 44.26 cr.
DAY WISE BOX OFFICE COLLECTION LIVE
Day Date Amount %± Shows Occupancy
Day 1 23-Oct-2026 (Fri) ₹3.89 cr. N/A 47 4.34%
Day 2 24-Oct-2026 (Sat) ₹7.04 cr. +80.98% 4,413 23.25%
Day 3 25-Oct-2026 (Sun) ₹7.90 cr. +12.22% 5,560 23.17%
Day 4 26-Oct-2026 (Mon) ₹3.08 cr. -61.01% 5,599 11.72%
Day 5 27-Oct-2026 (Tue) ₹2.97 cr. -3.57% 5,655 18.15%
Day 6 28-Oct-2026 (Wed) ₹2.67 cr. -10.10% 5,564 10.92%
Day 7 29-Oct-2026 (Thu) ₹2.53 cr. -5.24% 5,525 10.32%
Day 8 30-Oct-2026 (Fri) ₹2.77 cr. +9.49% 4,794 11.34%
Day 9 31-Oct-2026 (Sat) ₹3.98 cr. +43.68% 4,771 15.58%
Day 10 01-Nov-2026 (Sun) ₹4.24 cr. +6.53% 4,875 16.42%
Day 11 02-Nov-2026 (Mon) ₹1.38 cr. -67.45% 4,762 9.83%
Day 12 03-Nov-2026 (Tue) ₹1.54 cr. +11.59% 4,763 11.91%
Day 13 04-Nov-2026 (Wed) ₹0.27 cr.
Manoj Bajpayee, Boman Irani and Divya Dutta’s Last Man in Tower to premiere on Hindi Zee 5 on November 6
Ramayana Day 1 box office PREDICTION: Trade expects an opening of Rs. 60-70 cr in Hindi and Rs. 100 cr in all languages: “Yash’s mere presence and the fact that he’s playing such a strong character will ensure Rs. 40 cr from South”
With fewer than seven days remaining until the anticipated release of *Ramayana*, the trade and industry sectors brace themselves to determine whether the production will meet its monumental expectations.Although the film was promoted as a Diwali release, it is scheduled to hit theaters on November 5, arriving four days prior to the festival.Despite this timing, the extraordinary response to advance bookings suggests a colossal opening, with trade analysts projecting gross receipts between Rs.60 and 70 crores.
Trade veteran Taran Adarsh observed that advance bookings have performed exceptionally well, noting a likelihood of a further surge in ticket sales as the release date approaches, which could result in a substantial total.
He cautioned against diminishing the significance of spot bookings, emphasizing that these transactions may constitute a significant portion of the final box office revenue.
Trade analyst Atul Mohan concurred with the prevailing projection, asserting that the film has the potential to generate revenue between 60 and 70 crores.
This estimate is bolstered by the strategic timing of the release; as a Diwali launch, it capitalizes on a period characterized by heightened cinema attendance.Historically, the most anticipated releases are strategically scheduled for the Festival of Light, a practice that inherently amplifies pre-release buzz.Consequently, debuting during this auspicious occasion confers a distinct mark of prestige upon producers.Furthermore, the customary bonus distribution to the salaried workforce during this season significantly expands disposable income, fostering a consumer environment where expenditures on retail therapy, dining, and cinematic experiences are readily embraced without hesitation.
Distributor and exhibitor Raj Bansal projected that the film would accumulate revenues exceeding Rs.
60 crores, yet he acknowledged that the pre-Diwali window typically inflicts significant damage upon box office prospects.Consequently, the production team's decision to release the movie on November 5 rather than during the holiday period reflects a calculated risk underscored by their unwavering confidence in the project."From the outset, I foresaw that this film would achieve extraordinary success," Bansal remarked, noting that had the release coincided with the day after Diwali—a major festive occasion—he would have anticipated a Day 1 opening of Rs.100 crores.Despite this optimistic trajectory, he clarified that the milestone of Rs.100 crores would not be realized on the actual release date, though it remained plausible to reach that figure by November 9, the day following the festival.
Vishek Chauhan, proprietor of Roopbani Cinema in Purnia, Bihar, has set an ambitious benchmark for the film's nationwide opening, noting that the early projections are exceptionally promising.
He anticipates a minimum day-one gross of over ₹100 crore across India, driven significantly by Yash's formidable appeal in the southern regions.The actor's presence alone, coupled with his compelling character portrayal, is projected to secure a ₹40 crore collection in the South on release day.While the owner expresses that a debut below ₹100 crore would be a source of disappointment, his realistic expectation for the film's first day revenue lies firmly within the range of ₹100 crore to ₹125 crore.It has been formally designated as the largest opening event originating from North India.
He further substantiated his argument by citing the case of *Adipurush* (2023): despite the trailer inviting widespread mockery, the film opened to approximately Rs.
35 crores in the Hindi market and secured a comparable figure in Telugu, driving an All-India day-one collection nearing Rs.100 crores.Although the narrative draws from the same source material as *Ramayana*, the latter maintains a superior standing.Furthermore, the surrounding hype remains extraordinary.
He further remarked, "All indicators point to a resounding success for *Ramayana*—encompassing its casting, monumental scale, opulent grandeur, and the pervasive buzz generated by its marketing campaigns.
Having premiered in the United States to widespread critical acclaim, the film has already captured the imagination of American audiences.There exists a distinct 'foreign obsession' within our culture; when international critics bestow their praise, it inevitably influences our own perception.The sole element that detracts from this otherwise impeccable production is its musical score."
Vishek further observed that ticket prices are notably elevated, given the film's ubiquitous presence across cinema halls and the complete absence of competing Hindi releases.
He noted that the movie's substantial hype is likely to secure screenings in regional theaters down South, despite the existence of several major releases in that market.
Concluding his remarks, Taran Adarsh emphasized the critical nature of the upcoming production, noting that substantial financial investment, an expansive ensemble cast, and elevated stakes converge within this monumental Diwali release.
Yet, transcending these commercial imperatives, the project is imbued with profound sentiments and emotional resonance.Despite these considerations, Adarsh expressed unwavering confidence in its potential.He drew a sharp contrast with *Adipurush*, which he observed took considerable cinematic liberties, and voiced his sincere hope that the creators of *Ramayana* would refrain from similar deviations.While acknowledging that the visual effects will undoubtedly be spectacular, he stressed that capturing the essence and emotional truth of the narrative is paramount.
While the narrative arc is familiar to us all, my true anticipation lies in the artistry of the storytelling itself and the cinematic manner in which it is rendered.
Ramayana: Bombay High Court grants anti-piracy protection to Ranbir Kapoor starrer ahead of November 5 release
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