Kriti Sanon says winning National Award for Mimi felt like she had “shattered some notions”: “One of the highest points of my career”

Kriti Sanon recently looked back on some of the key moments in her career and talked about how the role of Mimi was a big turning point for her as an actor.

Thinking about the movie and how it was received, Kriti said, "The biggest moment was Mimi, and the love it got because it was my first project where I took full charge.

 We were living through a very uncertain time with the Covid-19 pandemic; the film was supposed to be released in theaters but ended up being streamed online instead."  

She added that the film's response, along with winning the National Award for Best Actress, is one of the most important milestones in her journey so far. "

Winning the National Award was one of the highest points of my career. I felt like I broke some old ideas people had about me, and I was ready for more. I think the audience was ready for more too," the actress said.

In the past two years, Kriti has acted in films of different kinds.

 Talking about where she is now, she said connecting with the audience is the most important thing for her. "I've had a really good past two years. All my films, whether it's Teri Baaton Mein Aisa Uljha Jiya, Crew, Do Patti or Tere Ishq Mein, have different characters and settings, but they all connected with the audience. It's very important to connect with viewers, especially now, when mediocrity just doesn't work," she said.

Kriti will next be seen in Cocktail 2.

Akshay Kumar and Anees Bazmee’s next releasing on December 4, 2026

When was the last time you went to the movies and had a really good time? Well, this December, there's a film that promises just that and more! Akshay Kumar, Vidya Balan, and director Anees Bazmee are coming back together for a big family movie, and it's officially set to open in theaters on December 4, 2026.

The film recently finished shooting in Kerala, and the team is planning to share a new still of Akshay Kumar soon.

This project is a reunion of one of Hindi cinema's most successful actor-director teams after a string of popular movies that fans really enjoyed.

 Known for their mix of humor, energy, and mass appeal, this reunion is being called one of the biggest movie events of the year!

The film is backed by Sri Venkateswara Creations and features an amazing cast including Akshay Kumar and Vidya Balan, with Raashii Khanna, Vijay Raaz, and Sudesh Lehri also playing important roles.

It also brings Akshay Kumar and Vidya Balan back together on screen, reuniting a pair that has made several hit movies over the years and still has a strong audience connection.

Produced by Shirish Reddy and Kuldeep Rathore along with Cape of Good Films, this comedy is the 60th project from Sri Venkateswara Creations.

 Producer Dil Raju, who has a reputation for making big hits, is back with a great team, a superstar, and a top filmmaker to wow the audience and show why he's known as the man with the Midas touch!

With production moving along as planned, the film is shaping up to be one of the biggest family movies coming in late 2026.

 In a year with a lot of action, special effects, and big events, this one will be the one that brings families back to the cinema!

Akshay Kumar and Anees Bazmee gear up for hilarious family comedy; December 2026 release

Akshay Kumar and Anees Bazmee have worked together on movies like Welcome, Singh Is King, and Thank You. These films have become really popular among moviegoers and are now considered cult classics. After a short break, the two are coming back together for a new comedy film. This time, the project is being produced by Dil Raju. A lot of the movie has already been shot, and Anees Bazmee plans to finish the filming by the end of May.

Akshay Kumar and Anees Bazmee are preparing for a funny family comedy.

 The movie is set to release in December 2026. Photos show Akshay Kumar, Twinkle Khanna, Aftab Shivdasani, and Indra Kumar at the airport. Other images include Akshay with Karan Johar, Malaika Arora, and others at a press conference. There are also pictures of Akshay with Ayushmann Khuranna at an event with the Chief Minister. Akshay was recently seen in Bandra and promoting Jolly LLB 3 with Arshad Warsi and Saurabh Shukla.

According to insiders, the film is coming together very well.

 "Akshay Kumar is really happy with how the comedy is shaping up. He is impressed with Anees' sense of humor, which is special and still relevant today. He has even told Anees to work on another film, as he believes this one will be a big success. Akshay and the whole team are laughing a lot on set and when they watch the raw footage. This is one of the funniest shoots Anees and Akshay have experienced," said a source.

The source also mentioned that the relationship between Akshay and his son is one of the main comedic elements in the film.

 "The movie is being planned for a December 2026 release. It is a full comedy entertainer with a hit song. The team has already shot a Holi dance number, which will be one of the main attractions when the film comes out. The dance is choreographed by Ganesh Acharya, and Akshay did a great job in the shoot."

Akshay Kumar is currently doing well with his film Bhooth Bangla.

 His next project, Welcome To The Jungle, is set for a June release.

Raja Shivaji Box Office: Does well in second weekend, crosses Rs. 75 crores mark after 10 days

Even though Raja Shivaji is the most expensive Marathi movie ever made, it's not just making back its cost anymore—it's now making good profits too.

 The way the film started showed that it would be a big success, and after a record-breaking first day, weekend, and week, it did well in the second weekend as well.

On Friday, the film made Rs. 3.50 crores, which was decent, but closer to Rs. 4 crores would have been even better.

 However, on Saturday, it jumped a lot to Rs. 6.30 crores. That set the stage for the weekend, with Sunday being even better at Rs. 7.60 crores. Family audiences came out in good numbers for the Marathi version. As a result, the second weekend total came to Rs. 17.40 crores, which is quite good because anything over Rs. 15 crores would put the film in a very strong position.

The Riteish Deshmukh-led multi-starrer has now crossed another big milestone—Rs. 75 crores.

 It's currently at Rs. 75.10 crores and is on track to reach a lifetime total of Rs. 100 crores. The 10-day total for this historical action movie is impressive. With not much competition coming up, especially in the Marathi market, which is its main target, the film is expected to continue doing well for the next few weeks.

Haunted – Echoes Of The Past lands in legal storm ahead of June 12 release; public notice cautions industry against release, streaming and monetisation amid NCLT status quo order

A public notice was issued by CA Bharati Manoj Daga, the Resolution Professional of Hare Krishna Media Tech Pvt. Ltd., in the May 9, 2026 edition of Atul Mohan’s Complete Cinema magazine.

 This notice serves as a warning to the Indian film industry, advising against the release, distribution, exhibition, streaming, promotion, or any form of commercial exploitation of the upcoming horror film *Haunted – Echoes Of The Past*, scheduled for release on June 12, 2026. The film is directed by Vikram Bhatt and features Mimoh Chakraborty in the lead role.

According to records from Zauba Corp, Vikram Bhatt and his daughter Krishna Bhatt are the directors of Hare Krishna Media Tech Pvt. Ltd., while his wife, Shwetambari Bhatt, is listed as an additional director in the company.

The public notice was issued in connection with proceedings before the Hon’ble National Company Law Tribunal (NCLT), Mumbai Bench.

 The case involves CA Bharati Daga, the Resolution Professional, against Vikram Bhatt and others. The notice mentions that the Resolution Professional has filed an application with the NCLT regarding certain alleged preferential transactions and related reliefs under the Insolvency and Bankruptcy Code, 2016.

In an order dated April 15, 2026, the NCLT directed all parties, related parties, connected parties, assignors, and assignees to maintain a status quo regarding the subject matter of the proceedings.

 This order remains in effect and is binding on all involved parties.

The notice highlights that some individuals or entities have reportedly announced the release of the film on or around June 12, 2026, despite the ongoing status quo order.

 In response, the Resolution Professional has urged all distributors, exhibitors, OTT platforms, broadcasters, streaming services, cinema chains, advertisers, licensors, aggregators, and any other party involved in the film to avoid any form of commercial activity related to the movie until further orders from the NCLT.

The notice warns that any act of violation, assistance, engagement, or non-compliance with the order could lead to legal consequences, including potential contempt proceedings.

Daadi Ki Shaadi weekend box office: Kapil Sharma’s comedy finds few baraatis, limps to just Rs. 2.75 cr.

Referring to the concept of competencies from The Conference Board of Canada, the film 'Daadi Ki Shaadi' has made one thing painfully clear: the audience did not turn up for the celebration.

 Expected to benefit from the family-comedy space and Kapil Sharma's popularity, the film instead opened to a weak response at the box office, collecting around Rs. 2.75 crore nett in its opening weekend.

The film began on a poor note on Friday with Rs. 0.50 crore.

 The Saturday number doubled to Rs. 1 crore. Sunday brought in around Rs. 1.25 crore, which again was an improvement, but nowhere close to the kind of family-audience surge that a film of this nature desperately needed. A family comedy should ideally see strong footfalls on Saturday and Sunday, especially if the word of mouth is positive. Here, the Sunday number itself suggests that the film could not build any meaningful momentum.

The Monday trend will now decide how quickly the film fades, but with a low base, even a decent hold on Monday would be difficult.

 And if the film drops sharply, it will be reduced to a single-digit lifetime total, making it another disappointing theatrical outing for Kapil Sharma.

The writing on the wall is blunt.

 Daadi Ki Shaadi needed the audience to arrive like wedding guests. Instead, the theatres looked like a function where the invitation was sent, but hardly anyone RSVP'd.

Karan Anshuman says “Glory is the OPPOSITE of Dangal”; BREAKS silence on Season 2 plans; hails Pulkit Samrat: “Most stars don’t have time to prep hard; wanted someone who would be there 24×7”

Karan Anshuman is one of the directors of Glory, a Netflix series that has received a lot of praise. The show features actors like Pulkit Samrat, Divyenndu, Suvinder Vicky, and others. It mixes the world of boxing with a mystery story about a murder. In a special interview with source, Karan Anshuman talked about how people received the show, how they chose the actors, how the story was written, and more.

How has the feedback for Glory been?

 It has been amazing. On streaming platforms, you don’t get the same kind of numbers as you do with movies in theaters. So, it’s always hard to tell how well a show is doing. But this has been the most enthusiastic response I’ve ever gotten.

Who from the film industry shared their feedback?

 Almost everyone in the industry who supported me, like Rana Daggubati, Ali Fazal, Sudhir Mishra, and others, said they really liked it.

How did you come up with the idea of mixing a murder mystery with a sports story?

 Often, filmmakers or writers get an idea from real-life events and create a fictional story around it. Did that happen with Glory?

I don’t think there was a specific incident that inspired it.

 It was more of a planned idea. The original story was about a coach who is obsessed with winning gold and how that affects his family. Then, the murder and other elements came in naturally. Even the final villain wasn’t planned at first. We didn’t know who the killer was during the writing process. But then we went with the most shocking ending. It also fits well with the overall story.

On paper, it sounds like Dangal, but once you watch the show, you don’t compare it at all because of the way the story is told.

Glory is the opposite of Dangal!

 It's anti-Glory as well (laughs).

You worked with Pulkit Samrat before, in your first directorial, Bangistan (2015).

 Many people say that Glory is his best work. How did he join the project? Was he your first choice?

I think the main reason we chose him was because I wanted someone who would fully commit to this role.

 I also knew it would be a new challenge for him, and he was up for it. But more than that, I wanted someone who would be there for all the training, action scenes, and would spend a lot of time with me. Most actors don’t have that kind of time; they often wing it. I wanted someone who was committed 24x7.

Every scene was rehearsed before we shot it.

 We didn’t just read it once and move on. We did it again and again. He was great in the action scenes, but my favorite parts were when he showed emotion. He had a few monologues, too. Getting those right wasn’t easy because we didn’t have time to figure them out during filming. You have to be ready and prepared, so the shoot can just be the execution of all the work you did before. Not just Pulkit, we did a lot of preparation with the other actors as well.

You always give big roles to Divyenndu.

 His character in Mirzapur is very different from his role in Glory, yet both are in the massy space.

That’s true.

 I wouldn’t have cast him in a similar role. I’m not interested in typecasting. For example, Ali Fazal was a big gamble in Mirzapur. He was a regular guy and we turned him into a bodybuilder from UP. Venkatesh fans were surprised with how he was portrayed in Rana Naidu. But I took the risk because I know they are great actors. The same goes for Divyenndu; I know what he’s capable of. He also enjoys taking on new challenges, which Glory was.

In fact, Dev in Glory is the opposite of Munna in Mirzapur.

 He’s a good person at heart, even though his methods are questionable. He’s the moral guide of the show, but viewers realize later that he was always right.

There are many memorable scenes in the show, but my favorite is when the bull swallows a grenade.

 It was funny and very creative.

(Laughs) Every time that scene came up during editing, music scoring, grading, etc., I couldn’t stop laughing.

 Every time. It’s so funny. I love it!

Glory ends with a cliffhanger.

 Is there a Season 2 coming?

I hope so (smiles).

 Every time we make a show, we build a world with a lot of characters. So, it’s always nice to go on to a second season. All my shows have had second seasons. Obviously, I planned it in such a way that the show ends with the audience wondering what happened. But at the same time, I don’t want to leave them hanging in a way that they aren’t satisfied. The idea is to solve everything, but still leave a little bit of a cliffhanger.