How Ramayana filled the coffers of India’s cinema chains; PVR INOX collects Rs. 229 crores NETT, Cinepolis collects Rs. 45 crores

The cinematic triumph of *Ramayana – Part I*, a production starring Ranbir Kapoor and Yash, has etched itself into history by drawing unprecedented audiences across the nation.While extensive discourse has focused on the film's record-shattering box office gross, a granular examination of its performance across individual cinema chains uncovers particularly compelling insights.An analysis by Bollywood Hungama, which aggregated collection data from November 5 to November 13—spanning the film's initial nine-day run—demonstrates that the title has emerged as an exceptional revenue generator, yielding substantial returns for both prominent multiplex conglomerates and independent exhibitors.

It has been disclosed that the Ramayana film significantly bolstered the revenue streams of India's cinema operators, with PVR INOX securing a net collection of Rs.

229 crores and Cinepolis accounting for Rs.45 crores.

PVR INOX strikes GOLD; collects Rs.

229.47 crores in just 9 days

PVR INOX stands as the paramount beneficiary of the Ramayana phenomenon, amassing a colossal Rs.

229.47 crores in net ticket sales over a mere nine-day span.This aggregate revenue was derived from a distinct contribution of Rs.132.95 crores by PVR and Rs.96.52 crores by INOX.

Notably, PVR INOX accounted for nearly 39.2% of Ramayana's tracked all-India NETT collections, which amounted to approximately Rs.

585 crores.Essentially, nearly four rupees out of every ten rupees generated by the film originated from PVR INOX screens.

Footfall metrics are equally compelling, with PVR reporting 28.13 lakh tickets sold and INOX recording 21.85 lakh admissions; combined, the two chains generated nearly 50 lakh ticket sales within a mere nine-day period.

Cinepolis has firmly established itself as a robust second-tier multiplex operator.

Amid PVR INOX's market dominance, Cinepolis likewise achieved significant commercial success, generating a net revenue of Rs.

45.73 crores and selling 9.39 lakh tickets.

Notably, Cinepolis achieved an average net realization of approximately Rs.

487 per ticket, surpassing PVR's Rs.473 and INOX's Rs.442.While this figure warrants attention, it must not be hastily construed as evidence that Cinepolis uniformly commands higher pricing across its entire portfolio.Such disparities may instead stem from variations in geographic location distribution, format availability, and screening characteristics.

Miraj Cinemas has orchestrated a remarkable surprise by successfully selling more than 600,000 tickets.

One of the most interesting findings concerns Miraj Cinemas.

The chain emerged as the largest individual cinema brand in terms of collections, after PVR INOX and Cinepolis.

Miraj achieved a net revenue of Rs.

22.15 crores following the sale of an impressive 6.39 lakh tickets, resulting in an average net realization of approximately Rs.347 per ticket.

Rajhans, MovieMax, Movietime and other chains join the party

Ramayana's commercial triumph extended beyond India's most prominent multiplex chains.

Rajhans Cinemas secured Rs.12.10 crores in revenue from the sale of 3.39 lakh tickets, followed by MovieMax, which accumulated Rs.8.79 crores alongside 2.18 lakh admissions.Completing this performance tier, Movietime generated Rs.6.57 crores from 2.07 lakh ticket sales.

The most compelling revelation concerns the aggregate performance of PVR INOX and Cinepolis, which collectively accrued approximately Rs.

275.21 crores in net collections.This figure represents a remarkable 47% of the film's total tracked net earnings across India.

Top 10 cinema chains by collections

Cinema chain - NETT (Rs.

cr.) - Tickets sold

PVR - 132.95 cr.

- 28,13,383

INOX - 96.52 cr.

- 21,85,198

Cinepolis - 45.73 cr.

- 9,39,276

Miraj Cinemas - 22.15 cr.

- 6,39,194

Rajhans Cinemas reported a revenue of 12.10 crore, corresponding to 3,38,610.

MovieMax - 8.79 cr.

- 2,17,515

Movietime - 6.57 cr.

- 2,07,258

Fun - 6.01 cr.

- 1,53,867

NY Cinema - 5.35 cr.

- 1,31,909

Wave - 5.15 cr.

- 1,48,073

Hansika Motwani enjoys a peaceful getaway at Satpura National Park in Madhya Pradesh; shares glimpses on Instagram

Hansika Motwani, celebrated for her contributions to Hindi, Tamil, and Telugu cinema, is presently finding respite within the tranquil confines of Satpura National Park in Madhya Pradesh.At the Denwa Backwater Escape, an experiential nature sanctuary operated by Pugdundee Safaris, the actress is deeply engaging with the area's vast topography, its teeming biodiversity, and the placid expanse of the Denwa backwaters.

Basking in the serenity of Satpura National Park within Madhya Pradesh, actress Hansika Motwani has indulged in a tranquil retreat, subsequently offering viewers a curated glimpse of this idyllic escape through her Instagram feed.

Hansika Motwani recently retreated to the serene landscapes of Satpura National Park in Madhya Pradesh, capturing and sharing select moments of this tranquil escape on her Instagram account.

Photos: Mahima Makwana, Shibani Dandekar and others attend the AJIO LUXE Weekend 2026Alaya FAlaya FAlaya FAditi Rao HydariAditi Rao HydariAditi Rao HydariAditi Rao Hydari

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Hansika is curating a series of Instagram stories via her handle @ihansika, offering her audience an intimate glimpse into her Satpura retreat.

These updates provide a deeper perspective on existence within one of Central India's most resplendent wilderness sanctuaries.Spanning from the retreat's pristine natural milieu to the languid cadence of life along the backwaters, her narrative effectively encapsulates the allure of a holiday that seamlessly fuses environmental serenity with luxury, thereby affording a profound respite from the mundane rhythms of daily life.

Nestled within the scenic vistas of the Satpura range and commanding a view over the Denwa backwaters, the Denwa Backwater Escape presents a serene wilderness sanctuary that harmonizes eco-conscious hospitality with contemporary amenities, inviting guests to reimmerse themselves in the natural world.

Meanwhile, Hansika's social media channels highlight Satpura's profound immersion in nature, while Pugdundee Safaris showcases its exceptional service standards.

Whether gazing upon the serene vistas of the backwaters or delving into the region's untamed natural splendor, every instant presents a unique opportunity to unwind and uncover fresh discoveries.

Hansika's visit serves to reinforce Satpura's stature as a premier destination for travelers who crave a harmonious synthesis of tranquility, pristine nature, and profound experiential engagement.

Ranbir Kapoor–Yash’s Ramayana creates HISTORY; BEATS Dhurandhar 2 to record BIGGEST second Saturday EVER

Ranbir Kapoor and Yash's mythological blockbuster, Ramayana – Part I, helmed by Nitesh Tiwari, has set another benchmark at the box office.By 8:30 PM on its second Saturday, November 14, the film amassed a colossal Rs.64.46 crores nett in combined revenue across all languages.This performance eclipsed that of Dhurandhar The Revenge, establishing it as the highest-grossing title in Indian cinema history for its second Saturday, according to the reported data.

Ranbir Kapoor and Yash's rendition of the Ramayana has made history, shattering records by surpassing Dhurandhar 2 to achieve the most substantial second Saturday ever.

Previously, Dhurandhar The Revenge held the benchmark with a nett collection of Rs.

60 crores achieved during its second Saturday.Ramayana has now decisively eclipsed that milestone, surpassing the figure by an additional Rs.4.46 crores, a performance bolstered by evening screenings that continue to drive daily receipts.What renders this accomplishment truly remarkable is that Ramayana is on the precipice of exceeding its own opening Saturday gross of Rs.67.80 crores.

Earlier this year, *Dhurandhar: The Revenge*, helmed by Aditya Dhar, set a formidable standard by amassing Rs.

60 crores in nett collections by its second Saturday.Ramayana has now surpassed that milestone, having already accrued Rs.64.46 crores by 8:30 PM.This achievement represents a significant advance over *Dhurandhar*, with the Ranbir Kapoor–Yash vehicle edging out its predecessor by approximately 7.43% to establish a new benchmark for second-Saturday gross.Furthermore, this figure is not definitive; as night shows remain unaccounted for, Ramayana retains the potential to extend its lead even further.This accomplishment stands out all the more significantly given that the film has already enjoyed nine days in theatrical release and garnered exceptional box office revenues during the post-Diwali period.

An intriguing trend emerges as *Ramayana* appears poised to surpass its opening Saturday performance with its second weekend.

The film garnered a net total of Rs.67.80 crores on Saturday, November 7, marking its third day in theaters.By 8:30 PM on the following Saturday, exactly one week later, it had already accumulated Rs.64.46 crores, thereby requiring only an additional Rs.3.34 crores to equate its output to the inaugural Saturday's collection.Consequently, *Ramayana* has already realized approximately 95% of its first Saturday's total revenue prior to the conclusion of its second day.Should the evening screenings meet the necessary targets, the film will accomplish the remarkable anomaly of generating a higher gross on its second Saturday than it did on its first.

This phenomenon would be especially noteworthy, given that the majority of significant releases typically experience a contraction in box office receipts during their second weekend relative to their opening frame.

Ramayana Worldwide Box Office: Ranbir Kapoor–Yash epic enters ALL-TIME TOP 5 Bollywood grossers excluding China; ranks No. 6 including China

Ranbir Kapoor and Yash's mythological epic, *Ramayana* – Part I, directed by Nitesh Tiwari, has etched another monumental achievement into box office history by surpassing the prestigious Rs.1000 crore threshold, with global gross collections now reaching an impressive Rs.1010.60 crores.This remarkable feat propels the film into the elite echelon of the Top 5 highest-grossing Bollywood productions of all time on a worldwide basis, provided that revenue from China is excluded.Notably, upon incorporating Chinese collections, the film assumes the sixth position in the all-time rankings.

This distinction holds particular intrigue given China's historically substantial impact on Bollywood's global box office standings; the inclusion or exclusion of revenues generated within the Chinese market can fundamentally alter a film's worldwide ranking, as certain productions have achieved extraordinary commercial success in that specific region.

Excluding the Chinese market, the all-time global box office rankings place *Dhurandhar: The Revenge* (2026) at the summit with a worldwide gross of ₹18,524.40 crore, followed closely by *Dhurandhar* (2025) at ₹13,508.30 crore.

*Jawan* (2023) claims the third position with earnings of ₹11,483.20 crore, while *Pathaan* (2023) secures fourth place with ₹10,503.00 crore.By amassing global collections totaling ₹10,106.00 crore, *Ramayana* has clinched the fifth spot, thereby joining an exclusive cohort of Bollywood's most significant international blockbusters.

Remarkably, the film now necessitates an additional 39.70 crore rupees to equate its global lifetime gross with that of *Pathaan*, thereby positioning itself nearer to the fourth place.

Incorporating data from Chinese collections into the analysis results in a reconfiguration of the rankings.

Amidst this compilation, *Dangal* (2016), featuring Aamir Khan, claims the premier position, having amassed an extraordinary Rs.

1968.03 crores globally.*Dhurandhar The Revenge* trails closely in second place, while *Dhurandhar*, *Jawan*, and *Pathaan* secure the third, fourth, and fifth slots, respectively.Consequently, *Ramayana* assumes the sixth rank, generating Rs.1010.60 crores.

Ektaa R Kapoor and Amar Butala announce Sajid Khan’s horror film Hero Ki Horrorine on Friday the 13th, watch motion poster

On the fifteenth day of the month of May, a date historically imbued with superstition and ominous portents, Ektaa R Kapoor and Amar Butala have unveiled the title of their forthcoming horror feature, Hero Ki Horrorine.Under the direction of Sajid Khan, this production from Jai Ho Media Ventures is presented by Balaji Telefilms Ltd.and brought to fruition by Shobha Kapoor, Ektaa R Kapoor, and Amar Butala.The film is slated for its theatrical release in the year 2027.

Concurrent with the title announcement, the production team has unveiled the inaugural poster, providing a harrowing preview of the film's terror-infused narrative.

The imagery depicts a menacing female entity adorned in a crimson sari, her form obscured by a cascading mass of hair.Her visage is profoundly distorted, characterized by pallid, sightless eyes, jagged dentition, and talon-like digits, all contributing to an atmosphere of profound unease.Positioned against a backdrop of obsidian smoke and shadow, this visual establishes what appears to be the story's central antagonist.While the title evokes the archetype of a heroine, the first glimpse reveals a profoundly disturbing figure who serves as the narrative's focal point.

Following a year defined by a robust slate of theatrical and television endeavors, Ektaa R Kapoor has reasserted her prominence in the industry.

Her cinematic efforts, notably *Bhooth Bangla*, which achieved significant box-office triumph, and *The Vvaan*, which secured a dedicated viewership, underscore her versatility across the screen.Simultaneously, her television portfolio has been bolstered by her contributions to Balaji's fiction lineup through *Kyunki Saas Bhi Kabhi Bahu Thi 2* and *Naagin 7*.Furthermore, the production house is actively broadening its digital footprint by leveraging a strategic partnership with YouTube to distribute exclusive premium content.In this latest venture, *Hero Ki Horrorine*, Kapoor revisits the horror genre, a medium she has previously navigated by fusing supernatural elements with mainstream entertainment.

Amar Butala, the producer behind commercially successful ventures like *Bajrangi Bhaijaan*, *Kesari*, and the critically lauded *Mission Majnu*, has partnered with Kapoor on this theatrical undertaking.

Under the direction of Sajid Khan, the project synthesizes the creators' established prowess in mainstream cinema with the conventions of the horror genre.

The Friday the 13th title announcement establishes a distinctive atmosphere for the film, which pledges to present audiences with an unconventional interpretation of the heroine archetype.

Produced by Shobha Kapoor, Ektaa R Kapoor, and Amar Butala under the banner of Jai Ho Media Ventures, and presented by Balaji Telefilms Ltd, the project distinguishes itself through this novel approach to its central character.

Amit Sadh makes SHOCKING confession: “I don’t know why certain filmmakers and casting directors are UPSET with me and why they don’t give me work”

 Amit Sadh has cultivated a devoted fanbase, bolstered not only by his striking appearance and formidable acting prowess but also by his forthright, pragmatic demeanor beyond the camera. Over the past few years, he has garnered critical acclaim for his nuanced portrayals in highly regarded productions such as *Breathe*, *Avrodh: The Siege Within*, and *Jeet Ki Zid*.He is now poised for the theatrical debut of his forthcoming film, *Pratap*.Notably, this release signifies his first major cinematic role in eight years to receive a proper theatrical outing, with his previous significant release being *Gold* (2018).

In our conversation with Amit Sadh, it is evident that he possesses a profound comprehension of the craft of filmmaking.

Consequently, we inquired whether he harbors an aspiration to direct a feature film. Responding with characteristic poise, Amit Sadh stated, "I do not currently hold such an ambition. My sole desire is for Pratap to succeed; the dream that brought Warna to Mumbai will inevitably falter," he added with a laugh.

He added, On a serious note, as a creative person, you can do anything.

You just need to find the right voice at the right time.Right now, I just want to do some great work and get more work.A lot of people tell me, We don't get to see you enough (in films and shows)’.Lekin main parda laga ke ghar pe nahin baitha hoon.I know the audience wants to see me.I really hope filmmakers and casting directors finally wake up and give me more work.I don’t know why they are so upset with me and why they don’t give me work.I want to work.In my capacity as an actor, I stand prepared to proceed, yet I harbor the expectation that Pratap will alter my circumstances.

He signed off by stating, Main haarne waala insaan nahin hoon.

Main haarne aaya hi nahin hoon!You know me, I am a fighter.I am a gladiator.Ladte rahoonga (laughs).”

Most violent Godzilla film ever, Godzilla Minus Zero NOT rated ‘A’ in India despite R rating overseas; CBFC grants U/A 16+ certificate

 Bollywood Hungama has consistently maintained a leading position in chronicling the trajectory of the Indian theatrical rollout for *Godzilla Minus Zero*.As early as September, we secured an exclusive dialogue with Kamal Gianchandani, serving concurrently as Chief Business Planning and Strategy at PVR INOX Limited and CEO of PVR INOX Pictures Limited, who officially validated the impending arrival of this anticipated Japanese production.Subsequently, on November 11, we engaged with Nayana Bijli, Lead for Distribution, Licensing, and Content Acquisition at PVR INOX Pictures Limited, who definitively confirmed that the release of *Godzilla Minus Zero* in India is scheduled to commence on November 20.

With the censorship procedures for *Godzilla Minus Zero* now finalized, the Central Board of Film Certification (CBFC) has officially granted the Japanese monster epic a U/A 16+ rating as of November 13, according to the board's website.

Notably, *Godzilla Minus Zero* secured an R rating and corresponding adult designations across nearly all significant global markets, including the United States, the United Kingdom, and Australia, signaling an unprecedented departure from the franchise's traditional theatrical profile.

This classification has ignited considerable enthusiasm among dedicated fans, horror aficionados, and cinephiles alike.The rating is widely interpreted by audiences as definitive evidence that the filmmakers have committed fully to an unflinching portrayal of violence.Given that the film did not receive an 'A' certificate in India, the question now remains whether the Central Board of Film Certification will approve the release without alterations or impose censorship on its more disturbing sequences.

Indeed, it is a recurring phenomenon where films deemed suitable for audiences under the age of eighteen receive a more stringent classification within the Indian cinematic landscape.

A recent instance of this occurred with *The Devil Wears Prada 2*, which, while permitted for all age groups in the majority of countries, was granted an 'A' certificate by the Central Board of Film Certification (CBFC) in India, a decision that provoked widespread surprise among viewers.Critics widely contended that the film merited a clean 'U' (Universal) rating instead, reflecting its actual content and lack of material inappropriate for younger audiences.

The official censor certificate confirms that the runtime of *Godzilla Minus Zero* totals 137 minutes and 25 seconds, equivalent to two hours, seventeen minutes, and thirty-five seconds.

The film is set to receive an IMAX release across India.