Kartik Aaryan misses family this Diwali as he shoots for Captain India in London

For the current year, Kartik Aaryan observes Diwali in isolation from his native home, as he remains in London to fulfill filming obligations for his forthcoming project, *Captain India*.Although this festival is traditionally characterized by gathering with family and cherished companions, the actor finds himself absent from these customary celebrations, prioritizing his professional duties instead.

For Diwali, Kartik utilized Instagram to post a photograph of himself alongside his festive greetings to his followers.

Yet, the image was imbued with a palpable sense of nostalgia, as he articulated his profound longing for his family and cherished loved ones during this holiday period.Accompanying the visual, he penned, "Happy Diwali.Missing everyone back home."

Through his public address, the actor provided a poignant look into his Diwali observances while separated from his family.

Much like countless individuals compelled to distance themselves from their kin by professional obligations, Kartik appears deeply yearning for the intimate warmth of observing the festival alongside his cherished ones.

Kartik remains engaged with the London itinerary for *Captain India*, a commitment that has necessitated his absence from home throughout the festive season.

Yet, even while immersed in the demanding schedule of the film's production, the actor prioritized engagement with his audience; he took the time to forge a connection with his fans and, via social media, offered an intimate glimpse into his personal Diwali observances.

His festive posting further illuminated the duality of observing festivals while undertaking professional travel, wherein career obligations often necessitate physical separation from family.

Although Kartik was unable to be present with his loved ones this Diwali, he endeavored to imbue the occasion with significance by extending his well-wishes to his followers and articulating his sentiments through a message that was both unadorned and profoundly sincere.

Kareena Kapoor Khan opens up on Botox and cosmetic procedures; says, “I am very against Botox, I am having the best time in my 40s”

 Kareena Kapoor Khan has articulated her stance on cosmetic interventions, elucidating her preference for holistic wellness practices over surgical procedures or the administration of neurotoxins like Botox.Although aesthetic enhancements have proliferated within the entertainment sector, the actress posits that safeguarding one's physical and mental equilibrium takes precedence over dependence on injectables to preserve a youthful visage.

In an interview with Barkha Dutt for Mojo Story, Kareena was queried regarding her views on Botox and various cosmetic interventions.

The actress responded promptly and unequivocally, declaring her firm opposition to the use of Botox.Furthermore, she articulated the significance of self-preservation, emphasizing that its scope extends far beyond mere physical aesthetics.

Kareena articulated her stance with unyielding candor, stating unequivocally that she stands firmly against the use of Botox.

Her philosophy centers on self-preservation in its most authentic form: prioritizing holistic well-being through natural therapies, maintaining a robust health regimen, and cultivating a genuine sense of vitality.She views this preservation as integral to safeguarding her craft, recognizing that her talent constitutes her primary instrument.Furthermore, she identifies strategic disengagement from the relentless demands of film sets—specifically by retreating to spend time with family and friends while immersing herself in diverse pursuits—as a vital component of this preservationist ethos.This approach stands in direct opposition to invasive procedures involving needles or surgical intervention.Kareena emphasizes that it is imperative for individuals to recognize the paramount importance of nurturing their physical and mental faculties rather than relying on cosmetic injectables.

The actress articulated her apprehension regarding the pervasive pressure exerted on young women to cultivate an appearance that defies their chronological age, appearing significantly younger than they truly are.

She posits that individuals ought to embrace the distinct phases of their lives with authenticity, rather than persistently attempting to arrest their development and cling indefinitely to the fleeting years of adolescence.

Reflecting on the challenges of aging and drawing from her personal journey through her forties, Kareena remarked, "It is disheartening that many young women refuse to envision themselves beyond the ages of 18 or 20.

By contrast, I am experiencing an unprecedented era of vitality in my forties; I have never felt more fulfilled, nor performed with greater conviction."

Kareena Kapoor's Recent Work

Professionally, Kareena's most recent endeavor was the crime drama *Daayra*, helmed by Meghna Gulzar, which notably signified her inaugural on-screen partnership with Malayalam stalwart Prithviraj Sukumaran.

Anchored in the thematic dichotomy of crime and justice, the production casts Prithviraj in the role of a police inspector, while Kareena portrays a character that injects a compelling complexity into the storyline.

In addition to her professional film obligations, Kareena recently made an appearance on the ninth season of *Koffee With Karan*, joined by her spouse, Saif Ali Khan.

During their participation in the talk show, the pair offered revealing glimpses into their private lives.

Ranbir Kapoor–Yash epic Ramayana BEATS Shah Rukh Khan’s Jawan; Rs. 151.77 CRORES on Saturday becomes Bollywood’s 4th BIGGEST single day globally

Ranbir Kapoor and Yash's mythological epic, "Ramayana" – Part I, has attained yet another significant milestone in its global theatrical run.On Saturday, November 7, the long-anticipated film amassed an impressive Rs.151.77 crores worldwide, establishing a new record for its highest single-day earnings. This substantial revenue surge has further elevated the film's standing, securing its place as the fourth highest-grossing Bollywood release in terms of single-day global collections, thereby overtaking Shah Rukh Khan's "Jawan" (2023).

Based on current box office rankings, "Ramayana" has surpassed "Jawan* in global revenue, with the former amassing ₹151.77 crore on Saturday to eclipse the latter's third-day worldwide total of ₹144.12 crore.

Notably, the worldwide single-day chart is currently dominated by a single film, Ranveer Singh's *Dhurandhar: The Revenge*, which secures the top three positions. This blockbuster established a new benchmark as Bollywood's highest-grossing single-day globally, earning ₹184.17 crore on its fourth day, Sunday, while its Saturday performance of ₹181.06 crore claimed second place, and its opening-day haul of ₹152.65 crore rounded out the top three. The fact that Dhurandhar The Revenge has emerged as a dominant force is especially noteworthy, given that the film starring Ranveer Singh is responsible for securing all three of the highest single-day global box office records currently on the list.

Top 5 Biggest Single-Day Worldwide Collections - Bollywood

• Dhurandhar The Revenge (2026) – Rs. 184.17 cr. (Day 4, Sunday)
• Dhurandhar The Revenge (2026) – Rs. 181.06 cr. (Day 3, Saturday)
• Dhurandhar The Revenge (2026) – Rs. 152.65 cr. (Day 1, Thursday)
• Ramayana – Part I (2026) – Rs. 151.77 cr. (Day 3, Saturday)
• Jawan (2023) – Rs. 144.12 crores (Day 3, Saturday)

Every figure denotes global gross receipts denominated in Indian Rupees.

Ramayana Box Office: Maharashtra BEATS Yash’s Karnataka in collections despite selling FEWER tickets; TOP 10 states reveal SURPRISING trends

Ramayana – Part I, starring Ranbir Kapoor and Yash, has accrued approximately Rs.176 crores in net box office revenue across India within its initial three-day run.Although this mythological epic has generated considerable commercial success nationwide, a granular, state-by-state examination uncovers several intriguing patterns.Maharashtra has distinguished itself as the film's most lucrative market, edging out Karnataka in terms of gross revenue.Yet, the more striking anomaly lies in the disparity between ticket volume and earnings: Karnataka has facilitated a higher number of ticket sales than Maharashtra, despite producing a lower total gross.

Based on comprehensive box office figures for November 5, 6, and 7, Maharashtra secured the top spot with a nett collection of Rs.

32.96 crores, narrowly edging out Karnataka, which amassed Rs.30.29 crores.The National Capital Region (NCR) claimed the third place with Rs.17.95 crores, while Telangana and Gujarat rounded out the leading five markets.

Although Maharashtra generates the highest state revenue, Karnataka secures the victory in the competition for visitor numbers.

Maharashtra has solidified its position as the most lucrative market for the Ramayana, accounting for roughly 18.73% of the film's total net collections across the nation.

On Thursday, the state recorded collections amounting to Rs.10.12 crores, which were followed by Rs.8.55 crores on Friday, before surging to a substantial Rs.14.28 crores on Saturday.Notably, Maharashtra experienced a dramatic 67.05% increase in collections on Saturday relative to Friday, a performance that significantly strengthened its position ahead of Karnataka.In contrast, Karnataka has amassed Rs.30.29 crores over the three-day period, representing approximately 17.22% of the national total.

Conversely, ticket sales data presents a contrasting narrative: Karnataka has recorded 7.95 lakh admissions, surpassing Maharashtra's figure of 7.47 lakh tickets.

This indicates that Karnataka has drawn approximately 47,600 additional patrons, even while generating Rs.2.66 crores less in revenue.

Maharashtra and Karnataka collectively contribute 36 percent to the nation's total business output.

In the initial three-day period, the combined net earnings from Maharashtra and Karnataka amounted to Rs.63.25 crores, signifying that these two states alone captured approximately 36% of *Ramayana*'s total domestic gross.Notably, Karnataka initially outperformed Maharashtra on Thursday, securing Rs.11.37 crores compared to Maharashtra's Rs.10.12 crores; however, Maharashtra reclaimed the lead on Friday and subsequently expanded the disparity over the weekend.This trajectory suggests that while Karnataka established a formidable opening, Maharashtra exhibited superior momentum as the weekend progressed.

NCR takes third position; Telangana beats Gujarat Securing the third place, the National Capital Region (NCR) generated a net total of Rs. 17.95 crores, driven by a robust recovery over the weekend with contributions of Rs.6.06 crores on Thursday, Rs.4.88 crores on Friday, and Rs.7.01 crores on Saturday. Telangana claimed the fourth position with Rs.13.28 crores, edging out Gujarat's Rs.12.78 crores in a closely contested margin. Nevertheless, the underlying ticket-sales data expose a striking divergence: Telangana sold approximately 6.39 lakh tickets compared to Gujarat's 3.65 lakh admissions. Consequently, despite Telangana's volume exceeding Gujarat's by roughly 75%, its revenue advantage remains modest at merely Rs.50 lakh.

The subsequent three positions are occupied by Tamil Nadu, West Bengal, and Uttar Pradesh.

Tamil Nadu secures the sixth position with a net revenue of Rs.

7.81 crores, trailed closely by West Bengal at Rs.7.43 crores and Uttar Pradesh at Rs.7.29 crores.Further down the list, Andhra Pradesh occupies the ninth rank with Rs.7.09 crores, while Kerala rounds out the top ten, registering Rs.6.84 crores. Andhra Pradesh offers a compelling case study illustrating the divergence between gross admissions and net revenue. Although the state has sold approximately 5.45 lakh tickets—a figure substantially exceeding those of Gujarat, West Bengal, and Uttar Pradesh—it manages to rank lower than all three in terms of revenue.

Top 10 states for Ramayana

Maharashtra – Rs. 32.96 cr.

Karnataka – Rs. 30.29 cr.

NCR – Rs. 17.95 cr.

Telangana – Rs. 13.28 cr.

Gujarat – Rs. 12.78 cr.

Tamil Nadu – Rs. 7.81 cr.

West Bengal – Rs. 7.43 cr.

Uttar Pradesh – Rs. 7.29 cr.

Andhra Pradesh – Rs. 7.09 cr.

Kerala – Rs. 6.84 cr.

Ramayana Overseas Box Office: Ranbir Kapoor–Yash starrer BEATS Drishyam 3’s lifetime collections in just 3 DAYS; becomes 2026’s 2nd BIGGEST overseas grosser

Ramayana – Part I, a mythological epic helmed by Ranbir Kapoor and Yash, has recently attained a notable benchmark in the international box office landscape.In a mere three-day span, the long-anticipated production has amassed an impressive USD 16.71 million overseas, thereby eclipsing the lifetime global earnings of Drishyam The Conclusion (Drishyam 3).Consequently, Ramayana now stands as the second-highest international grosser of 2026, trailing only Dhurandhar The Revenge.

The achievement is especially significant given that *Drishyam: The Conclusion* amassed only USD 13.897 million throughout its complete international theatrical run.

In stark contrast, *Ramayana* has already eclipsed that benchmark within its initial three days of release.Furthermore, the film has surged past other prominent 2026 productions, notably *Mirzapur – The Movie* and *Border 2*, which have recorded overseas lifetime collections of USD 6.90 million and USD 6.30 million, respectively.

Despite the impressive international performance of *Ramayana*, *Dhurandhar The Revenge* retains its dominance as the leading release of 2026.

Currently, *Ramayana* trails *Dhurandhar The Revenge* by a margin of USD 34.29 million, having accumulated USD 16.71 million globally.Although this disparity is substantial, it must be contextualized by the fact that *Ramayana*'s theatrical run has only spanned three days abroad; its ultimate overseas gross remains contingent upon its trajectory over the ensuing weeks.

The film's rapid ascent to the second position within merely three days serves as a compelling testament to the magnitude of its global debut.

Top 5 overseas grossers of 2026

Dhurandhar The Revenge: $51.00 million.

Ramayana – Part I garnered $16.71 million.

The conclusion for *Drishyam* stands at $13.897 million.

Mirzapur – The Movie: $6.90 mil.

The second border is valued at $6.30 million.

Ramayana Box Office: Day-wise, language-wise BREAKDOWN of Ranbir Kapoor-Yash starrer; Hindi leads while Kannada and Telugu battle for No. 2

In its first three days of release, Ramayana – Part I, starring Ranbir Kapoor and Yash, has amassed a nett box office total of Rs.176.11 crores at the Indian box office.The highly anticipated mythological epic, which premiered on Thursday, November 5, generated an opening day gross of Rs.62.47 crores before experiencing a dip to Rs.45.84 crores on Friday; however, it recovered momentum on Saturday, achieving its most substantial single-day collection of Rs.67.80 crores.

Although aggregate figures suggest a robust recovery across the weekend, a granular analysis by linguistic segment unveils several nuanced trends.

The Hindi iteration has solidified its status as the film's primary revenue driver, whereas the Kannada and Telugu versions remain locked in a fierce contest for the runner-up spot.

Language Thu Fri Sat Total

Hindi achieved values of 45.46, 34.29, and 51.66, culminating in a total of 131.41.

Kannada 7.00 4.58 5.85 17.43

The recorded values for Telugu are 6.22, 4.50, 5.98, and 16.70.

Tamil, recorded at 2.44, 1.41, 2.35, and 6.20.

The values recorded for Malayalam are 1.35, 1.06, 1.96, and 4.37.

Across all languages, the figures stand at 62.47, 45.84, 67.80, and 176.11 respectively.

NOTE – All figures in INR cr.

Hindi accounts for approximately three-quarters of the cumulative total recorded over the three-day period.

In its initial three-day run, the Hindi edition secured Rs.

131.41 crores in net revenue, representing roughly 74.62% of Ramayana's aggregate domestic box office earnings.

Kannada secures the second place with a contribution of Rs.

17.43 crores, narrowly trailing Telugu, which registers at Rs.16.70 crores.Tamil follows with an allocation of Rs.6.20 crores, whereas Malayalam accounts for Rs.4.37 crores.

In aggregate, the four South Indian language releases have amassed Rs.

44.70 crores, accounting for roughly 25.38% of the film's overall box office performance.

Data indicates that although the film *Ramayana* is garnering audiences across linguistic boundaries, Hindi remains the undisputed force driving its box office success.

This trend is underscored by a significant upward trajectory in Hindi's share, which surged from 72.77% on Thursday to 76.19% by Saturday.In contrast, the markets for Kannada and Telugu have remained nearly identical, with cumulative collections after three days differing by a mere Rs.73 lakh.

Current linguistic performance metrics delineate a distinct hierarchy: Hindi serves as the foundational pillar of *Ramayana*'s commercial trajectory, while Kannada and Telugu vie for the secondary position with considerable parity.

Furthermore, the film's recovery on Saturday has revitalized its momentum, positioning it favorably for the upcoming Sunday release.

Ramayana Worldwide Box Office: Ranbir Kapoor-Yash starrer grosses a MASSIVE Rs. 366.58 cr. in 3 days; Saturday collections jump 40% globally

Ramayana - Part I, the mythological epic headlined by Ranbir Kapoor and Yash, has secured a formidable worldwide gross of Rs.366.58 crores within merely three days of its theatrical release.Upon its premiere on Thursday, November 5, the long-anticipated film demonstrated a remarkable recovery on Saturday, with box office collections surging significantly across both domestic and international markets.This momentum culminated in the film's third-day worldwide gross reaching Rs.140.63 crores, thereby establishing a new benchmark for its highest single-day revenue to date.

The film's worldwide theatrical run commenced with gross collections of ₹125.55 crores on Thursday, succeeded by ₹100.40 crores on Friday.

Notably, Saturday witnessed a substantial resurgence, as global revenues surged by 40.07% compared to the previous day to reach ₹140.63 crores.Furthermore, Saturday's performance exceeded opening day figures by 12.01%, demonstrating that the film has successfully reestablished momentum following the downturn observed on its second day.

In a span of merely three days, overseas markets generated a substantial influx of USD 16.71 million.

A defining feature of the *Ramayana*'s global trajectory is its formidable international revenue generation.

This Ranbir Kapoor and Yash production has amassed USD 16.71 million abroad within merely three days, underscoring the critical commercial weight of overseas markets.The film initially garnered USD 5.45 million on its Thursday debut, followed by USD 4.88 million the subsequent Friday.However, Saturday marked a robust resurgence, with international takings surging to USD 6.38 million—a 30.74% increase compared to Friday's performance.Significantly, this Saturday became the film's most lucrative international day to date, eclipsing Thursday's opening-day haul by 17.06%.

India witnesses an even sharper Saturday recovery

Domestic performance has been instrumental in Ramayana's global triumph.

In India, the film commenced its run with a net collection of Rs.62.47 crores on Thursday, subsequently dipping to Rs.45.84 crores by Friday.Yet, Saturday marked a dramatic reversal, as net receipts surged by 47.91% to reach Rs.67.80 crores.

The cumulative three-day gross for India has reached a net total of Rs.

176.11 crores when aggregated across all language variants.Notably, Saturday's growth trajectory within the domestic market significantly outpaced international performance; while local box office collections surged by 47.91%, overseas receipts expanded by a comparatively modest 30.74%.

Ramayana worldwide box office

Market Thu Fri Sat 3-day total

India nett (₹ cr.) 62.47 45.84 67.80 176.11

Overseas revenue amounted to USD 5.45 million, USD 4.88 million, USD 6.38 million, and USD 16.71 million, respectively.

The global gross earnings amounted to 125.55 crores, 100.40 crores, 140.63 crores, and 366.58 crores, respectively.