Sunday, April 6, 2025

Salman Khan in talks for Bajrangi Bhaijaan 2 with V. Vijayendra Prasad? Here’s what we know!

Salman Khan is one of the most popular superstars in the country with films with very notable films. Among them is one of his most popular and precious films Bajrangi Bhaijaan, released in 2015. Not only did he deliver one of the best appearances of his career, he also won the Best Popular Film Award for delivering Healthy Entertainment at the 63rd National Film Awards. 

Salman Khan fans are always looking forward to continuing the film, and speculation suggests he is in discussion with screenwriter V. Vijayendra Prasad. According to an independent industry source, Salman Khan V. Vijayendra Prasad met a few days ago. You have developed an idea and the discussion will take place in Bajrangi Baijaan. But nothing is done yet. " 

The original film touched the heart with its emotional story and gained widespread recognition, but it's exciting to see which direction the sequel can go. 

Plus, V. Vijayendra Prasad is one of India's most successful screenwriters and the only author who contributed to the biggest Indian films. His notable works include Bobbili Simham (1994), Magadheera (2009), Eega (2012), The Baahubali Duology (2015 2017), Bajrangi Bhaijaan (2015) and RRR (2022).

Bobby Deol and Raghav Juyal to feature in unexpected roles in the Aryan Khan directorial debut – The Badass of Bollywood

Both recently recognized for their powerful representation of on-screen antagonists, Bobby Deor and Raghav Juyal will appear in the highly anticipated directorial debut of Bollywood's Badas, Netflix series Aryan Khan. However, this time he will not take on the role of a villain. 

The project, which is expected to become the launchpad for Shah Rukh Khan's son, has already sparked curiosity for his title and top-class cast. Now we hear that we have given us an unconventional approach by filling in Bobby Deor and Raghav Juyal in roles that violate the latest screen photos. Deol, who played the ruthless rabbit in the animal, and Juyal, known for his portrayal of Kill's Fani, will be exhibited in very different colors in upcoming shows. A nearby source of shared projects is a deliberate creative decision against this type. Recently, both have a reputation for playing brooding, powerful antagonists. Therefore, they become a refreshing change for the audience. Your chemistry is electrical and the Aryans are gathering your pages that have not yet been seen. It's a brave step that's rewarded in a great way. 

This is the first time Deol and Juyal have shared screens. Both actors have made a noticeable change in their careers. Bobby Deol's second phase in the industry moved him to a more styled, intensive character, but Raghav Juyal, who began his career as a dancer and reality show, developed into a darker, more relevant role. But in Bollywood badass, they both resign from their dark persona. The action details are still under the lock and key, but the show is expected to combine high octane action with unconventional narratives. Aryan Khan's director is paired with such unexpected casting decisions, and has attracted great interest in the industry and audience. With a title that shows behavior and attitude, Bollywood badass appears to offer more than just surface glasses. 

In the project execution, all eyes are aimed at how Bobby Deor and Raghav Juyal adapt to roles that challenge the character of the established screen. For fans of both actors, it's a chance to see another side - and for Arya Khan, it's an incredible start to his journey as a director.

Saturday, April 5, 2025

Why brand Salman is cracking: Dissecting the fall of a Superstar – and the blueprint for redemption

For over 30 years, Salman Khan has been the pulsating heartbeat of individual Bollywood screens and Eid-leleases. His persona told the film - he became a phenomenon. When he was at the climax, neither logic nor critics could stop the Salman tsunami. However, the flood appears to be back. 

His latest publication, Sikandar, opened to the average answer, far from the Frenzys that his film once created. This is not an isolated case. It is part of the pattern, reflecting the brand's deeper cracks against Salman. 

If you objectively consider what went wrong and how you could correct yourself before separation becomes irreversible. 

1. Physical Problems: From Macho to Mechanical 

Salman's carved body was once USP, and it pulled it apart in the 2000s when fitness heroes weren't the norm. His shirtless scene was not just a visual pleasure, but a desire. However, in recent years its physical appearance has not been consistent. In films like Radhe and Kisi Ka Bhai Kisi Ki Jaan, the audience detailed the visible confusion, the unpleasant movements of the dance sequences, and the choreography of the action. 

The problem is not old - it's how he tries to hide the aging instead of owning it. Look at Mammootty or Shah Rukh Khan - you're aging, yes, but with style, grace, adaptive rollers. Salman's claim to be Young's action hero is more harmful than profit. Audiences realize that fitness is a burden rather than capital. 

Corrected: hug age. Physically grounded characters (don, police officers) choose CGI stunts and bike flying absurdity. Strength is not in repetition, but in reinvention. 2. Time capsule 

The biggest criticism Salman has been exposed is: Every film feels like a de javus. Same hair, same bracelet, same boast, same tropical. Kick, Tube Light, Race 3, Bharat and Sikandar, and more, he plays Salman rather than figure. 

Even his wardrobe appears to be blocked in early 2010 in time to scream. When you have to ground the film and ground subtle expressions (think Pathaan, Jawan, Tier), Salman's styling and persona feel outdated. 

 Fix: Rent a New Age Stylist and a Character Coach. Enter new skin. Remember what SRK's Pathaan was - a reinvention with charming roots, but supports it with a sharp orientation and depth of character. 



3. Coterie Puzzle: Echo Chambers won't make blockbusters 

A recurring topic of Salman's latest project is relying on a small group of family or long-term loyalist producers, writers, directors and engineers. This created an echo chamber. Schmeichler replaces critics. The script is green and has no rigorous tests. 

result? Films like Race 3, Radoe, Kkbkkj had visibly outdated stories, junk dialogues, and uninspired directions. The wider film industry has developed further - Salman's circles don't have that. 

 Fix: Step outside the bladder. Working with a filmmaker who challenges him - Imagine a Salman Khan film led by Sanjay Leela Bhansari or Rajkumar Hirani. The possibilities are endless - if the stars let go of control. 4. The outdated definition of large-scale complaints 

There are dangerous assumptions in Salman Das' camp. Popular audiences want a simple, exaggerated masala. But today, S Tier-2 and Animal 3 audiences are looking at animals, Jawan and KGF. You saw Pushpa and Kantara. Your expectations are high. The loud soundtrack, long-lasting marks and one-man military brawls now feel synthetic. Salman's outdated popular brand begins to wear out thinly. 

Modification: Redefine mass relationships. It's no longer about volume, it's about relativity + scale. Learn from Sudokino - Marry heroism and an emotional mission. 5. On the other hand, there is no risk and no surprise 

When was Salman the last time he was surprised? 
He did it at Tere Naam, Phir Milge, Bajrangi Bhaijaan and Sultan. However, he has been playing in recent years. We don't experiment with genres, tones, or even accents. The stars survive when taking risks - Aamir did it in almost every movie, and even Ranbir did it with animals. 

By avoiding risk, Salman's recent work is not missing. There's no tweets, memes or anything new to talk about - only recycled tropicals. 

 Fix: Please do neon noir. Playing a gray character. Discover tragedy, vulnerability, and even satire. Imagine Salman in the world of Sandeep Reddy Vanga - it breaks the internet. 



6. Emotional separation: Where is the heart?
At his climax, Salman owned our feelings - remember the Radha of the Terenam, Pawan of Bajrangi Baijaan, or even the broken wrestler of the Sultan? These characters made us cry, laugh, and have our roots for him. 

There is no emotional connection in recent films. Everything is superficial. Some punchlines, some battle scenes, and entry-level songs no longer have a cinematic experience. 

 Fix: Select scripts on your emotional spine. The audience is not worth seeing an aging Salman - for them it is a hollow Salman. 

Salman Khan is still a superstar - his name alone creates arguments, clicks, curiosity. However, the longevity of the stars is not based on past glory. Maintained by current relevance. 

To get the audience back, he not only reinvented the next stage on screen with Z and the developing mass base - he must not only reinvent the on-screen stage, but rather not a loyalist, but rather breaking out of his comfort zone off-screen. 

The audience will not reject Salman Khan - she will reject stagnant star Salman Khan. Love is still there. But love requires surprise, growth and respect. At this point, the audience is waiting for him to catch up. 

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Gulshan Devaiah on why Afsos 2 never happened: “I don’t think it did well enough for Amazon”; opens up on Anurag Kashyap’s criticism about OTT giants: “In principle, I do agree with him but…”

Gulshan Devaiiah's Hunterrr (2015) was recently released in Kinos. We spoke to source about it and asked him about his quirky and exciting show AFSOS (2020). There's a trend in a few seasons of web series, but AFSO didn't have a season 2. 

When Gulshan Devaiiah was asked, I revealed that when the show was written, I had been signed for three seasons. This is a common rule of thumb that follows many people. I think it was enough for Amazon. What's more, it wasn't an original from Amazon. If so, it could have had season 2. It wasn't as strongly encouraged as Amazon because of its original. Please tell me about that. I did the dahad. They advertise and how! So I don't think it has any promotions that helped me. 

Gulshan continued: Nevertheless, it has its own fan base. That ends on a very interesting point. I don't know if he is Chiranjeevi or not. 

He also added: These are things you have to accept. It is a part of the actor's life and a package. I don't blame Amazon. I'm sure there will be guidelines and budget allocations. You cannot break the protocol. 

A few weeks ago, Anurag Kashyap streaming manager exploded for not giving creative freedom to show creators like in the West. Does Gulshan Devaiiah agree with this idea? 
He explained: I don't want to be the one to complain. At the same time, I always felt I could do better from the start. There are restrictions. India is a different country. It's a very complicated country. It's very diverse. There are things that unite us, and there are things that break us apart. The fact that we are still together is a miracle! Therefore, it is always a challenge for storytellers to say what they can and cannot say. Free speech is never absolutely undoable. There are general terms and conditions. Sometimes you need to fight the river and swim. Sometimes you have to find creative ways to tell your story. 

He explained further. “As a rule, I agree with him, I don't agree with allegations that he is doing it because it's not full. We will only discuss the contract. But we feel we can do that better, especially from a storytelling perspective. There are millions of rooted stories that can be told from India alone.

Friday, April 4, 2025

Akshay Kumar refused Mrighdeep Singh Lamba’s high-concept comedy due to snake connect

Kartik Aaryan and Migheep Singh Lamba collaborated for the first time in a feature film between Karan Johar and Mahavener Jain. The film is touted as a unique comedy with a high concept of having a snake as an antagonist. During the investigation, Bollywood Hungama learned that the director of Mriiegeep Singh Lamba was first offered Akshay Kumar. 

 Bollywood Hungama told a confidential source: He was not convinced of the snake's conflict with humans, and he did not want to dare to return to the genre after Jaani Deuchman. " 

Mahaven Jain and Karan Johar had several meetings with Akshay and when he finally retired, they decided to bring the project back to the top with Kartik Aaryan. "Kaltik loved the human idea for Snake and quickly signed up for the film. He considers this to be another winner under his kitten after Briaya 2 and 3. 

The Snake Comedy was published on the floor in October 2025 and later in 2026.

Test Movie

Test Cast & Crew

Banner
A YNOT Studios Production
Release Date
04 April 2025
Genre
Sports
Drama
Language
Hindi
Tamil
Director
S. Sashikanth
Producer
Chakravarthy Ramachandra
S. Sashikanth
Star Cast
R Madhavan ...
Nayanthara ...
Siddharth ...
Meera Jasmine ...
Kaali Venkat ...
Writer
Suman Kumar
S. Sashikanth
Costume Designer
Poornima Ramasamy
Anu Vardhan
Censor Details:
Censor Dates
Not Available.
Censor Certificate No
Not Available.
Runtime
Not Available.
Certification
Not Available.
Music Director
Shakthisree Gopalan
Editor
T. S. Suresh
Cinematographer
Viraj Sinh Gohil
Shooting Location(City & Country)
India
Streaming Partners
Netflix
Sound
Kunal Rajan
Production Designer
Shwetha Sabu Cyril
Madhusudan N.
Action Director
Dinesh Subbarayan

Thursday, April 3, 2025

With $1.5 billion, Ronnie Screwvala surpasses Shah Rukh Khan, Salman Khan, and Aamir Khan’s combined wealth

Filmmaker Ronnie Screwborough has earned a net worth of US$1.5 billion on Forbes World's Billionaire list in 2025. This number exceeds the total assets of Shah Rukh Khan (US$770 million), Salman Khan (US$390 million), and Aamir Khan (US$220 million), totaling $1.38 billion. This milestone will be announced on April 2, 2025. 

From modest beginnings to the richest of Bollywood 
In contrast to Khans, where assets are from proxy and public personas, Screwvala built assets through production and enterprises. The 68-year-old was born in Mumbai and started a toothbrush company in the 1970s after completing a Bachelor of Commerce degree at the University of Mumbai. His entry into entertainment took place in the cable television business, which benefited from the rise of Indian color television in the 1980s. In 1990 he founded UTV. UTV has become a leading player in Indian media under UTV motion images. 

Production loans from Screwvala include films such as Swades, Rank De Basanti and Jodhaa Akbar. In 2012, he sold UTV to Disney for over $1 billion, increasing his assets significantly. He later returned to filmmaking in 2017 with RSVP films, bringing successes like URI: The Surgical Strike and Kedarnath. 

Comparison of prosperity: Screwborough vs. Khan 
Shah Rukh Khans' $770 million net worth comes from his films Red Chillies Entertainment and the Kolkata Knight Riders IPL team. Salman Khan is a production company and has made US$390 million from acting, hosting Bigg Boss. Aamir Khan $220 million is associated with selective but high speed projects, including Dangal. Together, her USD 1.38 billion from Screwborough will be $1.5 billion.