Salman Khan moves NCDRC after Jaipur consumer court issues bailable warrants in Rajshree Elaichi ad case

Actor Salman Khan has approached the National Consumer Disputes Redressal Commission (NCDRC) and says the Jaipur District Consumer Commission treated him unfairly in a case about his endorsement of "Rajshree Elaichi."

This happened after the district commission issued bailable warrants against Khan, claiming he didn't follow an earlier order to stop misleading ads for the product.

Khan says he was not given official copies of the orders.

 His lawyer, Senior Advocate Ravi Prakash, said that even though the orders were already in the media, certified copies were not provided to Khan. The lawyer argued that steps were taken against Khan without him being properly informed.

The petition also said that an interim order from the case was not known to Khan and was not served to him.

 It added that penal action under Section 72 of the Consumer Protection Act, 2019, should not have been taken without proper service.

The case started in December 2025 when advocate Yogendra Singh Badiyal filed a complaint against Rajshree Pan Masala and Salman Khan, who was listed as the second party because he was the brand ambassador.

 The complaint said the ads for "Rajshree Elaichi" were effectively promoting pan masala and were misleading under the Consumer Protection Act.

On January 6, 2026, the district commission issued an interim order telling the respondents to stop misleading ads until they responded.

 According to Khan's plea, this order was made without giving him proper notice.

The complainant later said the order was broken after a hoarding with Salman Khan's image appeared in public, and a contempt case was filed under Section 72 of the Act.

 On January 15, 2026, the district commission issued bailable warrants against Khan in the contempt case. Khan challenged this decision before the Rajasthan State Consumer Disputes Redressal Commission, but the State Commission upheld the district commission's order on March 16, 2026.

During the hearing before the NCDRC, Khan's lawyer also said that after the warrants were issued, the district commission asked for a Special Task Force to ensure Khan's presence.

 The lawyer argued that such steps were unusual in consumer cases and showed an unfair approach.

The NCDRC acknowledged the concern about certified copies of orders not being given to the parties, even though the orders were in the media.

 The Commission also said its authority is based on the law and cannot go beyond that.

Allu Arjun and Atlee’s next titled Raaka; makers hold back character reveal in new poster tease

In a big and exciting moment for one of the most talked-about movie projects, the team behind AA22 x A6 has finally announced the title of their upcoming film, Raaka, today at 11 AM. This special moment came right on Allu Arjun's 44th birthday, making it even more memorable.

The film, titled Raaka, is the next project from Allu Arjun and filmmaker Atlee.

 In a new poster released along with the title, the makers have kept the characters secret, leaving fans curious and excited.

The poster gives a strong first look at the film's look, showing a dark, intense, and mysterious style.

 It hints at a story that's both big and deeply interesting, setting the stage for something truly amazing.

Raaka is planned as a grand fantasy-action movie, aiming to be a big hit not just in India but around the world.

 Supported by Sun Pictures, the film is made with a large budget and big ideas, focusing on amazing visuals, strong storytelling, and modern filmmaking techniques to reach a global audience.

Allu Arjun will be playing a completely new kind of character, showing a different side of him.

 This is a major change from his previous roles, and Atlee is known for pushing his actors to new heights, making this role a big deal in Allu Arjun's career.

Atlee has a reputation for creating big, imaginative worlds and bringing them to life with strong stories.

 Raaka is part of that same spirit, mixing fantasy, action, and emotion in a way that connects with both Indian and international audiences.

Atlee shared, "Raaka isn't just a movie.

 It's something that's been with me for years. I've held onto this idea for 18 years, and it's helped shape who I am. Honestly, this is just the start."

Sun Pictures said, "Raaka is a project made with the highest ambitions in Indian cinema.

 We're lucky to bring together the unique storytelling of Atlee and the huge star power of Allu Arjun in a film meant for the world. We believe this will change how we create films and show that Indian cinema truly belongs on the global stage."

This film is a big team effort between Sun Pictures, Allu Arjun, and Atlee — three key figures in Indian cinema who are coming together for a project that's meant for the world.

 With the title now out, Raaka is setting the stage for a bold, immersive, and groundbreaking film that's going to leave a big impact on a global scale.

Dhurandhar 2 proves a brutal point: without the right director, even a superstar can look ordinary

Bollywood still celebrates stars in public, but the box office is showing that directors are becoming more important.

Dhurandhar 2 clearly shows that without the right director, even a superstar might not shine.

The huge success of Dhurandhar The Revenge shows a strong message.

 Yes, Ranveer Singh is the main face of the movie. Yes, the star is important. But when you look at the numbers, a bigger truth appears. Stars can start a movie, but directors are the ones who take it to a bigger success.

Looking at Ranveer Singh's previous movies before the Aditya Dhar success, Cirkus ended at just Rs 35.65 crore and was a failure.

 Jayeshbhai Jordaar stopped at Rs 15.59 crore. Even Rocky Aur Rani Kii Prem Kahaani, with a strong image and lots of visibility, finished at Rs 153.60 crore. But when Aditya Dhar directed Dhurandhar, the movie made Rs 895.96 crore, and now Dhurandhar The Revenge is already at Rs 836 crore. The star didn’t change his look, voice, or name. The filmmaker built a whole world, a style, a rhythm, and an event that made the star feel much bigger.

This is why the debate around this movie is so strong.

 Fans want to say it was only Ranveer’s performance. But if stars alone were enough, then Cirkus and Jayeshbhai Jordaar wouldn’t have done so poorly. The message here is that Aditya Dhar didn’t just direct Ranveer; he completely changed his box-office image.

The same pattern is seen in other movies.

 Ranbir Kapoor had Tu Jhoothi Main Makkaar at Rs 149.05 crore and Brahmastra at Rs 257.44 crore. Then Sandeep Reddy Vanga directed Animal, which made Rs 556.36 crore. That’s a big jump, not just a small increase. Vanga didn’t just cast Ranbir; he used him in a powerful way. He gave him a dark edge, conversation value, cultural impact, and a trailer that turned into a huge number of tickets. A regular movie with a star can’t do that.

Even Shah Rukh Khan, who shows that the star era is still strong, also shows the opposite.

 On source ,Jawan is at Rs 643.87 crore, Pathaan at Rs 543.05 crore, and Dunki at Rs 212.42 crore. Shah Rukh is the same in all three. What changes is how the directors used him. Atlee turned him into a big mass event in Jawan. Siddharth Anand presented him as a comeback hero in Pathaan. Rajkumar Hirani made a softer, emotional film in Dunki and the box office didn’t reach the same height. Same star. Different director. Different success.

Dhurandhar 2 proves a big point: without the right director, even a superstar might look ordinary.

This is where the old idea that stars come first in Bollywood starts to look incomplete.

 Stars still matter. They are the face that starts the buzz, the magnet that gets fans excited. But the director plays the bigger role in deciding whether that buzz becomes a big success or just a small start. In short, stars bring the heat, but the director decides if it becomes an explosion or just a little smoke. Box office numbers are starting to show this clearly.

In fact, the Rs 500 crore club on Bollywood Hungama shows this shift even more.

 Aditya Dhar is the only director with two films in the club, and his highest grosser is Rs 895.96 crore. The same report also mentions Atlee’s Jawan at Rs 643.87 crore, Sukumar’s Pushpa 2 at Rs 830.10 crore, Laxman Utekar’s Chhaava at Rs 600.10 crore, and Amar Kaushik’s Stree 2 at Rs 627.02 crore. Read that again: the industry still talks about star power, but the Rs 500 crore list is starting to look like a list of the best directors.

This is why Dhurandhar 2 is a dangerous film for Bollywood’s structure.

 It tells stars something they might not like: your fans might be yours, but the biggest success might belong to the director. It also tells directors something strong: if you can create scale, image, rhythm, and excitement properly, you don’t have to be in the shadow of a star. You can become the reason a star looks unbeatable.

This doesn’t mean the star era is over.

 Without Ranveer Singh, Dhurandhar 2 wouldn’t be what it is. Without Shah Rukh Khan, Jawan wouldn’t be what it is. Without Ranbir Kapoor, Animal wouldn’t be what it is. But the power is shifting. Modern blockbusters are no longer just about stars; they are about how directors make them work. And when a director gets it right, even a superstar looks bigger than he did in the previous film.

Overall, Dhurandhar The Revenge hasn’t ended the star era.

 It has done something more interesting. It has shown that in 2026, stars can still sell the dream, but directors are creating the real success. This is exciting for filmmakers and a bit uncomfortable for fan clubs.

Salman Khan’s Maatrubhumi misses May window; June release on the cards

Salman Khan and Apoorva Lakhia first worked together on a war drama called Battle of Galwan, based on the real-life clash between India and China in the Galwan Valley.

 But during the filming, things between the two countries changed, and the Ministry of Defence asked Salman Khan and his team to make the film more fictional. "The current officials didn’t want to affect the relationship between India and China. They asked Salman to reshoot parts of the film and add a more fictional storyline. Salman respected their request and quickly reshooted around 40% of the movie, adding more romance and background to his character. The film was sent to the board for approval after the reshoot, and it was given a new title, Maatrubhumi," said a source who shared the details with Bollywood Hungama.

However, the latest update is that even the newer version of the film is facing problems, and it won’t be released in May as previously thought.

 "As reported by source before, Salman wanted to release Maatrubhumi on May 15. But issues with the censor board and approvals have made that impossible. The war drama might now be released in June, once all the necessary approvals are received."  

At the same time, Salman Khan is starting the shoot for Dil Raju’s untitled film in mid-April, with the aim of releasing it in the first quarter of 2027.

 He is losing weight for the role and is excited to look completely different in Vamshi’s directorial. He also has Raj DK’s retired superhero film, which is set to start in August.

Salman Khan is one of the most influential stars in Indian cinema, and insiders are confident that he will find a way to release Maatrubhumi in due time.

Also Read: Maatrubhumi: Salman Khan, Chitrangda Singh song "Chand Dekh Lena" BTS video reveals hidden magic fa'.

Mukesh Chhabra ADMITS he and Aditya Dhar were initially unsure about casting Sara Arjun opposite Ranveer Singh; says, “She matched the brief exactly”

The casting of Sara Arjun opposite Ranveer Singh in Dhurandhar sparked a lot of discussion after the trailer was released, especially because of the noticeable age difference between the two actors.

 Now, casting director Mukesh Chhabra has shared that he and director Aditya Dhar were not sure about casting Sara for the role at first.

  

Speaking exclusively with  source, Chhabra said the team had always wanted to cast a completely new face for the role instead of someone who was already well-known.

 He explained, "From the start, Aditya and I were clear that we needed a face that looked like she was part of that world. There shouldn’t be any previous connections. A new face is better. If we had cast someone with two previous films, the connection wouldn’t feel right because the boy is meeting her for the first time."  

He continued, "Sara had done some films as a child actor, but as a full-fledged heroine in a Bollywood film, she had never done that before.

 The idea was to cast the character, not think of it as choosing a usual lead."  

Over 1,000 auditions were conducted before shortlisting Sara Arjun  

Chhabra revealed that the team had a long audition process that lasted almost a year before they found the right person. "

We were clear that if we were going into that world, the audience should be surprised about who the girl is. We did more than 1,200 to 1,300 auditions. It was clear that we wanted a new face and we were really looking for a new face."  

He also mentioned that the brief required someone who looked natural in the film's setting and could speak both Hindi and Urdu fluently, while also showing innocence and simplicity on screen. "

My brief was very clear. She should look like she fits there. The language had to be correct. Her Hindi and Urdu both had to be very clear. There had to be innocence and simplicity on her face because Ranveer’s character is drawn to that girl."  

According to Chhabra, the shortlist kept getting smaller from hundreds to just a few people before Sara stood out in a key audition scene. "

We came down to 100, then 50, then 30, then 20, and finally 10. After auditioning the final 10, there were three or four very good actors, but Sara was closest to what we needed. There were two or three others who were also close, but she matched it exactly."  

Makers initially felt she looked too young  

Chhabra admitted that both he and Aditya Dhar were unsure if Sara Arjun looked too young for the role.

 They decided to do another look test before making the final decision. "Initially, we felt she looked a little young. We thought maybe we should do one more look test and change the makeup slightly so she doesn’t appear too young. That doubt was there in the beginning."  

After the additional look test, the team became confident in their casting choice and decided to cast her. "

We did another look test here with a different makeup approach, and then it worked. It is a very tough job."

Akshay Kumar’s comments on Rajpal Yadav bring the house down at Bhooth Bangla trailer launch: “Look at his face. Isko dekhke hasee aati hai…yeh aise baat karta hai jaise kavi sammelan mein aaya ho!

Akshay Kumar, Tabu, Wamiqa Gabbi, Mithila Palkar, Rajpal Yadav, Paresh Rawal, Rajesh Sharma, director Priyadarshan and producer Ekta Kapoor were all present at the launch of their movie Bhooth Bangla. This movie brings Akshay and Rajpal Yadav back together after a long time. Akshay spoke about this and made everyone laugh.

Akshay Kumar's comments on Rajpal Yadav made everyone laugh at the Bhooth Bangla trailer launch.

 He said, "Look at his face. When you see it, you can't help but laugh. He talks like he has come to a poet's gathering!"

Akshay Kumar's comments on Rajpal Yadav made everyone laugh at the Bhooth Bangla trailer launch.

 He said, "Look at his face. When you see it, you can't help but laugh. He talks like he has come to a poet's gathering!"

Disha Patani, Disha Patani, Disha Patani, Disha Patani, Disha Patani, Disha Patani, Photos: Salman Khan, Aamir Khan, Amitabh Bachchan, Abhishek Bachchan and others were snapped attending late Dharmendra's last rites.

 Ananya Panday.

Akshay Kumar said, "Look at his face.

 He's full of fun. Every time I see him, I can't help but laugh! The audience also laughs."

He continued, "When Paresh Rawal says something serious, it's really funny.

 I can't say the same for Tabu, because she's a very serious actor. Even when she says a comedy line, it feels serious (laughs)."

He further said, "We had a lot of fun and ate great food while making the movie.

 We had a very memorable outdoor shoot in Rajasthan."

Rajpal Yadav took the microphone and shared, "The first instruction Priyan sir gives is 'don't act.'

 Since the time of Hungama (2003), I have been learning from you. I'm sometimes even scared. Priyan is a master of his craft. When the jockey is powerful, the horse also runs faster!"

As the audience clapped, he added, "Comedy is a serious business.

 And Akshay paaji is also very serious. He wakes up at 4 am or 5 am and reaches the set at 7 am. That's a big achievement for an actor who is about to complete 40 years in the industry. When I started working with him on Bhooth Bangla, I saw the same Akshay Kumar with whom I had worked in Phir Hera Pheri (2006) and Bhagam Bhag (2006). This is the magic of Priyan sir."

Akshay Kumar interrupted to add to the fun, "Tell me one thing.

 When you talk, why does it seem like you've come to a poet's gathering? (laughs)"

Bhooth Bangla will be released in cinemas on April 17 and will have paid previews starting at 9:00 pm on April 16.

Third weekend truth bomb: Dhurandhar 2 won the opening war, but Dhurandhar is winning the legs debate

At first, it might seem like comparing Dhurandhar and Dhurandhar 2 is not necessary. The sequel has already made a lot of money and has numbers that very few Hindi films can match. But looking at box office performance isn't only about who is making more money overall. It's also about how a film is doing week by week, where its popularity is coming from, and what that shows about how long it will stay popular. That's why comparing the two films during their third weekend is so important.

The main point from the current numbers is clear: Dhurandhar 2 is definitely bigger, but Dhurandhar was more consistent.

 Let's look at the numbers. Dhurandhar made:

Friday: Rs. 23.70 crore  

Saturday: Rs. 35.70 crore  

Sunday: Rs. 40.30 crore  

That totals to Rs. 99.70 crore for the third weekend.

Dhurandhar 2's numbers are:

Friday: Rs. 21 crore  

Saturday: Rs. 25 crore  

Sunday: Rs. 28 crore  

That totals Rs. 74 crore for the third weekend.

The difference is big.

 Even though Dhurandhar 2 started with a much bigger opening, it made Rs. 29.70 crore less than Dhurandhar in its third weekend. That means it is running about 25 percent behind the original at this point. That's not a small difference. It shows a real trend.

This is even more interesting when you consider the context.

 A sequel that starts very strong is usually expected to do better than the original for a longer time, especially through the weekends. That's because sequels have more recognition, more people know about them, and they start with more buzz. But when a sequel falls behind the original by the third weekend, it signals that the film’s popularity dropped quickly, which is not the same as the original.

This is also clear in how the numbers change each weekend.

 Dhurandhar made Rs. 146.60 crore in its second weekend and then dropped to Rs. 99.70 crore in the third. That's a 32 percent drop, which is normal for a film of that size and shows that the audience kept coming back. Dhurandhar 2, on the other hand, made Rs. 164 crore in the second weekend and dropped to Rs. 74 crore in the third. That's a bigger drop of about 54 percent.

This is where the real story is.

 Dhurandhar 2 is still doing very well and is one of the top-grossing Hindi films right now. But the way it's doing is different from the first film. Dhurandhar built trust and kept growing in popularity each week. Dhurandhar 2, on the other hand, exploded quickly at the start, made a lot of money early, and is now dropping faster.

That’s not a bad thing.

 In today’s movie market, a lot of big films are made to do exactly that. They start with a lot of buzz, make big money quickly, and then drop faster. In fact, you could say that Dhurandhar 2 has adapted better to the current market. Big openings usually mean faster drops.

The film is still going to make a huge total, but compared to Dhurandhar, the final total might not be as high as people expected.

 So, even though Dhurandhar 2 has bigger numbers, Dhurandhar still has more staying power.

That’s why this comparison is so interesting.

 It’s not about which film is more successful. The sequel has already set a record. The real point is about how each film is performing at the box office. Dhurandhar had a longer, more steady run. Dhurandhar 2 was more like a powerful blast that quickly starts to slow down.

In the end, that's how the franchise is today.

 Dhurandhar built a strong base of trust. Dhurandhar 2 used that trust on a much bigger scale. By the third weekend, the original film still looks like the more lasting one.

For the trade, that's not a bad thing about the sequel. It's just the most accurate way to look at the numbers. And as usual with box office numbers, being right is more important than being exciting.

Experienced trade analyst Taran Adarsh doesn't think the third weekend numbers for Dhurandhar 2 are a problem.

 He explained, "I don't think the fact that the third weekend numbers of Dhurandhar 2 are lower than Dhurandhar Part 1 should be a worry. If you look at the trend of Dhurandhar 1, in the first few days, it didn't really take off the way it should. Yes, Saturday was good, Sunday was better. But from Monday and Tuesday onwards, it really started to gain speed and strength."

He went on, "But with Dhurandhar 2, the groundwork was already done.

 It started with the paid previews, which gave it a huge beginning. What you saw was a storm, a big wave, whatever you call it, which wasn't the case with Dhurandhar 1. That film kept getting stronger each week."

Adarsh also mentioned that the third weekend number for Dhurandhar 2, which is 74 crores, is still really big. "

Yes, it's less than the first film, but again, Dhurandhar wasn't as big as Dhurandhar 2. Now, what's happened is the second week was bigger. But if you look at the daily performance of the first week, it was different."

He also pointed out that we can't ignore the milestones Dhurandhar 2 has achieved. "

It's a film that's about to hit 1000 crores, which is something never seen before in Hindi films, even in the domestic market," he said. "What's best is, it's all part of the same family. Dhurandhar 1 and Dhurandhar 2 are connected. And at the same time, I feel both of them set new standards. If you look at the international numbers for Dhurandhar 2, they're also historic."

Adarsh also mentioned the top list of the highest-grossing Hindi films ever. "

Number one is Dhurandhar 2, number two is Dhurandhar. So, the first two spots are taken by Dhurandhar. Number three is Pushpa 2 Hindi."

The trade expert also said that the success of the Dhurandhar franchise has silenced those who said Bollywood was dying a few years ago. "

Those who said, 'Oh, Bollywood is gone, and oh, Bollywood isn't as talented anymore,' Dhurandhar has proven them wrong. It's shown that good content is back. It's good to see Bollywood making those numbers. That also shows the power of real theater. Dhurandhar truly has strong content. It's a heroic run. It's a superstar film. Films come and go. People will always compare other films with Dhurandhar in the future," he concluded.