Music Maestro Ar Rahman spoke about the recent criticism that regenerative singer Abhijeeet Bhattacharya aimed to him. In today's open interview in India, Rahman gave insight into the wide range of musical collaborations that continue to define his work. #A. R. Rahmanar Rahman responds to Abhijeeet Bhattacharya's criticism of technical music
Abhijeet argued that Rahman's preference for digital tools significantly reduced the likelihood of old-school musicians. In response, Rahman argued that he used technology to optimize certain aspects of the musical process, but not at the cost at the expense of true musicality. "It's good to blame everything. I still love Abisey and I'll send him a cake. It's his opinion, and there's nothing wrong with having it," Rahman said with a distinctive calm. He continued to detail his efforts to support musicians on a large scale. "I recently set up an orchestra in Dubai with 60 women. They are employed every month and paid for insured, health, everything. In every film I do, there are almost 200-300 musicians who participated, whether it's Chava or Pony in Servan.
Rahman emphasized that live music is central to its composition, even though computers are used as part of a creative process. "The more you refine your music, the more you appreciate live music. Computers are used as an extraordinary harmony and a tool to design everything. You can't afford to play musicians and reject them later.
Rahman rejects the idea that technology will replace talent, revealing that his intention is always to mix both the best worlds together and cost-effective at the same time. “You can go to every producer I worked for.
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