The rating is: 2.5
Vedaa Rating and Review: 2.5/5
Star Cast: Director of Sharvari Vedaa, John Abraham:
Synopsis of Nikkhil Advani Vedaa's review:
VEDAA is about a lower-caste woman who falls in love with a tough man. Vedaa (Sharvari), her brother Vinod (Anurag Thakur), and her father Rajendra Chawla (Tanvi Malhara) all live in Barmer, Rajasthan. She accepts social discrimination because she is of a lower caste. She is pursuing a degree in law and hopes that learning boxing will improve her life. Jitendar Pratap Singh, played by Abhishek Banerjee, is the unofficial chief of 150 villages and lives in the same village. At Vedaa's college, his brother Suyog (Kshitij Chauhan) runs a boxing club. John Abraham's Abhimanyu Kanwar joins as an assistant sports coach. After killing his wife Rashi (Tamannaah Bhatia) in retaliation, he beheaded a terrorist and was sentenced to prison. Due to her gender and caste, Vedaa cannot take boxing classes. Abhimanyu secretly trains her because he sees potential in her. Vinod, on the other hand, is in love with a girl from a higher caste. They are caught red-handed by Suyog, and Vinod is punished by a kangaroo court headed by Jitendar. Nevertheless, Vinod and the girl elope and wed. They are killed by Jitendar, who is also about to harm Vedaa and Gehna. Gehna is captured and killed as the sisters flee. Vedaa is able to get away, and she asks Abhimanyu for help. To save Vedaa's life, Abhimanyu decides to do everything possible. The subsequent events shape the remainder of the film.
Review of the story in Vedaa:
The story of Aseem Arrora is typical. The screenplay by Aseem Arrora is full of violent moments. However, there are some flaws in the writing. The dialogues of Aseem Arrora are sharp. The direction by Nikkhil Advani is fair. His portrayal of caste inequalities, a rarity in Hindi cinema, merits praise. Although some of the scenes are upsetting, they help viewers understand the suffering of the lower caste population and the many forms of discrimination they face. He has also impressed technically. The impact of the first half's distant shot of Vedaa being attacked on the highway is enhanced. The widespread scenes of Abhimanyu and Vedaa instructing criminals would be adored by all.
On the other hand, the movie is predictable, and the plot does not change unexpectedly. The film takes too many liberties with its cinematography after a certain point. For instance, how Abhimanyu escaped the temple without changing his appearance is baffling. The conclusion is too remote. It is simply excessive to observe criminals attacking a high court without police intervention. In fact, the film's climax is its weakest section.
John Abraham and Sharvari Sharvari's Vedaa: The Official Hindi Trailer, Out August 15th, Performances:
John Abraham talks very little, talks through his eyes, and fights. He does a good job on the performance front, though he could have done better. Sharvari dominates the stage and once more demonstrates her potential as a performer. She also has the opportunity to perform well. She has something to do; She is a fighter, which the audience would appreciate. Abhishek Banerjee gives a powerful performance and uses his voice to help the bad guys do their thing. Kshitij Chauhan has a significant impact. Ashish Vidyarthi, the kaka of Jitendar, is decent and funny. Sand Paritosh (Uttamlal; Kumud Mishra, Vedaa's mausa, and Abhimanyu's father-in-law, both do well in supporting roles. Rajendra Chawla, Tanvi Malhara, Anurag Thakur, Danish Husain (as Sunil Mahajan), and Kapil Nirmal (as Inspector Purohit) all appear to be in good health. Tamannaah Bhatia can be counted on. In a cameo, Mouni Roy shines.
Music from the Vedas and other technical aspects:
The songs lack quality. Mummy Ji's picturization alone makes it memorable. The same is true for Holyaan. "Dhaage" and "Zaroorat Se Zyaada" fail to entice. The background music by Kartik Shah deserves praise, especially the theme that is played when Abhimanyu is training Vedaa.
The stylish cinematography by Malay Prakash enhances the film's appeal. The production design by Priya Suhass and Ayesha Dasgupta's costumes are lifelike. The action by Amin Khatib is a little bloody, and there are a few scenes that will get cheers and whistles. The editing by Maahir Zaveri works, but the second half could have been cut by 5 to 10 minutes.
Conclusion of the Vedaa Movie Review:
Overall, VEDAA is a predictable film with a weak ending and unexceptional second half. It will be difficult to have an impact at the box office.
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